In September of last year, I wrote a post calling for a boycott of Nintendo Switch Online. Actually many people were and still are on board. I won’t claim that it was solely because of my blog post because many people posted similar sentiments on various platforms, but the point is that the service Nintendo released at cost was, and still mostly is, a bad service that isn’t worth the money. Even if it is the cheapest online console service currently, that doesn’t somehow magically justify the cost, though many fanboys would make that argument. I’m still boycotting Nintendo Switch Online. I love my Switch. Since that post I’ve purchased Smash Bros Ultimate, Super Mario Party, Pokemon Let’s GO – Eevee, and though I received a review copy and thus didn’t pay for it, I also got Starlink: Battle for Atlas. Every single one of those games is excellent. I would recommend purchasing every one of them. None of them are flawless. But I don’t regret buying/playing any of them. And there are more games on the way that I can’t wait to play.
Nintendo just released a demo for Yoshi’s Crafted World. It’s amazing. It’s exactly what I wanted from the next Yoshi game. I will absolutely be buying it. The point is that I in no way regret purchasing a Switch. There are numerous amazing games to play on it and I have a decent sized backlog of unfinished titles to play. And honestly though it does affect me occasionally, for the most part I’m fine not having access to online PVP. Currently there are only two games that I really want to play online against other people, not counting Super Mario Party, which I absolutely do want to play online against other people, but they don’t have the full board game mode available for online PVP and that’s what I want to play against others. So currently the only argument that can be made for why I should pay Nintendo $20 a year for online multiplayer is Smash Bros. Ultimate and after the latest Nintendo Direct, Tetris 99.
Tetris 99 is the combination of probably the closest thing to a perfect game ever made and the current battle royale craze. Now personally I hate this BR bullshit. I hate PUBG. I hate Fortnite. I hate Blackout. For many reasons I hate this entire trend and concept. I don’t like the idea that developers can release games with no story and they become super popular and make billions of dollars in loot boxes and skins. That’s everything wrong with the gaming industry and community today. That’s the kind of thinking that leads to projects like Star Wars: Battlefront II. It’s not OK. But Nintendo, being Nintendo, took the concept and made it not suck, innovative, not a cash grab, and for once worth my time . . . maybe?
Tetris 99 is the first BR game I’ve ever had an interest in. For starters, it’s the only BR game to date that can justify not having a story. It’s a simple puzzle game that’s been around since 1984. The game is so old, many games couldn’t have stories back then. It’s justified. It has no loot boxes, microtransactions, or DLC. You download the game and you have the whole game. It’s free. Well it’s not free, but it comes as part of the Nintendo Switch Online subscription so it’s free-ish in the same way that we describe PlayStation Plus games and XBOX Games with Gold games. I haven’t personally played it, because again I’m not a subscriber, but this the first time since the service went live that I really wish I had a Nintendo Switch Online subscription. Or more accurately, I really wish the service was good enough to warrant me subscribing. Tetris 99 is the first step in the right direction. This is the kind of content and release model that I need to see coming from Nintendo consistently, as in on a monthly to bi-monthly basis, for me to consider the service worth my money. What’s important here is that they were able to create a game that I actively want to play. I think about it a lot. I’ve been watching Tetris 99 videos, something I never do. I do not normally just watch other people play games without some specific reason tied to it like I’m stuck in a game or I know the person playing personally. And yet I’ve taken the time on more than one occasion to watch videos of people playing Tetris 99. As a side note, most of you apparently such at Tetris. I’ve been appalled by some of the low quality performances people felt were appropriate to post online. And I know that sounds arrogant and hypocritical considering many of the lackluster gaming performances I’ve posted to my Twitch and/or YouTube channels, but Tetris is not that hard. Granted I have been playing it semi-actively for more than 20 years so maybe I’m just at a level of experience that makes me unable to relate to new players. But I digress.
This is the kind of content that I want to see from Nintendo Switch Online. This is how you sell me this service. And you don’t touch the current price point. It stays where it’s at or gets lower. So my point with this post is to tip my hat to Nintendo. I see you making moves trying to add value to your online service. I respect that. That’s what I want to see, not just from Nintendo, but from XBOX and PlayStation as well. Make online subscriptions great again. And I’m fine with Nintendo focusing on old games. They said they were gonna do that from the beginning. But this is the first time since the service started that they did it in a way that’s actually interesting and worth my time. I don’t want to take turns playing old NES and SNES titles. I can do that with my SNES Classic without paying a subscription fee. Tetris 99 justifies the need for online PVP access. Now I’m not gonna pay $20 a year just to play Tetris. I wanted to get Tetris Effect, but that won’t happen till that price goes way down. I am not paying $40 to play Tetris. But if every month we got another Tetris 99 style game free as part of the service, I’d definitely sign up. So hopefully this is the beginning of Nintendo Switch Online actually being worth the money. And if and when that’s confirmed, I’ll definitely sign up. So the next question is what’s the next Tetris 99?
I’ve given this only a little bit of thought so far but I do have some ideas that I think would be equally successful, if not more so. The entire concept of Tetris 99 is take an old game that’s simple to understand but, apparently, hard to master that has an indefinite amount of play time and apply some sort of mechanic that allows multiple players to play single player rounds of the game at the same time where a certain occurrence negatively affects the other players in the lobby. Here are just three of the ideas I came up with in a matter of minutes.
This seems fairly obvious. Really it’s just a variation of the Tetris concept with different rules of engagement. Just apply the same multiplayer mechanics and it’s good to go.
My idea would be exactly the same as Tetris 99 where all 99 players are playing their own game of Pac-Man, still with three lives and the ability to earn more, but it’s only one map/stage. There are no regular pellets. Instead the only task for the player is to survive. More specifically, don’t get eaten by ghosts. Power pellets would still be present and reappear over time, possibly tied to eating a certain number of pieces of fruit. When you use a power pellet and eat ghosts, you send those ghosts to other players’ games. It would work just like Tetris 99 where you can send ghosts to randoms, attackers, those soon to die, and badges, which I haven’t put a lot of time into conceptualizing yet.
Similar to my Pac-Man idea, everyone would be playing their own game of Galaga concurrently. When you kill an enemy, you can send it to other players’ games. There would probably need to be some limitations set upon it like the number of enemies that can actually get sent and some sort of limit to how many enemies can be sent to the same player at the same time.
Have you played Tetris 99 yet? What do you think of it? What other games would like to see this concept applied to? Let me know in the comments.
A few weeks ago I attended CES for the first time. CES stands for Consumer Electronics Show. It is the largest annual consumer technology trade show in North America and one of the largest annual tech shows in the world. The first CES was held in 1967, 52 years ago. I’m glad I was able to attend this year. Not only because it was an amazing experience that I’ve always wanted to have, but also because I don’t know how much longer CES will be around.
I have been noticing a trend in recent years with big corporate tech and gaming events. They’re dying. Not all at once. It’s not fairly obvious. It’s a slow death brought on more by the winds of change coupled with rampant, unsustainable profiteering rather than some singular obvious occurrence. I’ve attended and continue to attend a number of these events for work throughout the years. The ones I have the most experience with personally are Computex and Taipei Game Show, both held in Taiwan, where I live, but my company is involved at some level with larger and smaller tech/gaming events all over the world. This gives me a level of insight that most members of the public simply don’t have access to. And it’s because of this coupled with other obvious clues that I must conclude that the current large scale events model is dying and if it doesn’t change fairly soon will be gone for good.
I first started to notice this with E3 back in, I believe, 2016 when Nintendo first decided to stop attending the show in person. And I want to be clear that this trend is happening to many if not all larger events around the world and not just specific ones. Nintendo opted simply not to present at the show. They made their in house presentation and released it digitally on their own site. While we can’t know for sure, I’m fairly certain Nintendo didn’t pay E3 a single dollar to have them show the video on their screens during the show. They simply did it because they knew people would rather tune in to Nintendo’s presentation as opposed to anything else that would be shown at E3 during that time. And no other company was dumb enough to try to directly compete with Nintendo’s presentation release time slot. This Nintendo Direct concept seemed like madness when first announced but ultimately was a huge success and has continued every year at E3 since that first experiment and has since then expanded to multiple presentations a year from Nintendo not tied to any specific corporate events outside of their own calendar. Now in 2019, SONY has announced that they too will not be attending E3 this year in favor of their own currently undisclosed means of conveying information to the public and media.
It’s fairly safe to assume that E3 is going to suck this year. Microsoft/XBOX in its current form can’t carry E3 alone. EA, Blizzard, and Activision are all dumpster fires at this point. Bethesda has a lot of bad blood right now and The Elder Scrolls VI is still years away, leaving us pretty much Doom Eternal and maybe another Wolfenstein game from them? And the rest of the bit players just aren’t important enough to make E3 worth your time. The rest of these companies aren’t worth much more than a couple hours of watching trailers on YouTube and a few tweets. So if this trend continues and nothing about the model drastically changes in the near future, E3 is essentially on its way out. And that should be fairly obvious to everyone.
In similar fashion to E3, I noticed something odd about CES. Many larger companies, including my own, aren’t actually attending CES anymore. What many companies, big and small, are now doing is showing up to Vegas, renting a suite in a random hotel, and just inviting media, customers, and other industry contacts to just come see their stuff in private by invitation. This is exactly what my company and many others did at CES this year. Some examples of companies that did this exact thing at the show this year include Patriot/Viper Gaming, Cooler Master, and Alphacool. These are all fairly well known companies in the PC DIY industry. Several smaller companies you’ve never heard of did this same thing and have for some years now. I even found this forum post from back in 2010 where some companies got caught doing this at the actual hotel CES was held at and got kicked out. So this is by no means a new practice. And I see the same thing done by a number of companies during Computex in Taipei every year as well. This practice is now the norm. The sad thing is the companies that run these events know this but aren’t doing anything to address the reasons that it’s happening. Like EA and microtransactions, they’re just pretending nothing is wrong and doing business as usual with no consideration of what this means for the future of their event and events in general.
Let’s talk about why this is happening. There are a number of specific and easily identified causes of this trend. Not so surprisingly, all of them come down to money. The biggest issue I have identified is cost of booth space/attendance. The cost for companies to attend these events has grown to unrealistic proportions. Even companies that can afford it aren’t happy to just throw money away unnecessarily. Let me use my own company’s CES 2019 experience as an example. We rented a penthouse house suite in the top floor of a Vegas hotel for five nights to attend and present during, but not officially at, CES. This penthouse suite had two bedrooms, a dining room, a living room, and a connected entertainment space added onto the living room. It also came with three private bathrooms, multiple balconies, and a hot tub, which sadly we didn’t use. As this was a private suite, we had security, control of who entered our suite, were able to insure the safety of the products we were presenting, and we could control our own hours for presenting regardless of what the official CES booth times were. We got all of this for under $20,000 USD a night including those bullshit resort fees and taxes. At five nights, this totaled just under $100,000 USD. Now that’s a lot of money. But to get a space on the CES show floor at a smaller size than what we had but large enough to meet our minimum requirements, we would have had to pay $200,000 USD. Without the private security, control of our traffic, safety of our products, three private bathrooms, the same amount of space, and of course the hot tub, we would have had to pay more than double what we paid for that suite. That’s preposterous. And that’s just the space. It doesn’t take into account the many other costs of attending CES. You have to pay to get your staff there and their hotel rooms and their food. You have to pay the cost of shipping your products there. You have to pay contractors to set up your booth. You have to pay media to show up and make videos about your products, because they don’t give two shits about journalistic ethics or conflicts of interest. The total cost of doing an event like CES even when you save on the space is astronomical. And remember that in the case of CES, the booths aren’t even all located in the same building or location on the Vegas Strip so the idea that having a suite is inconvenient do to location doesn’t even really apply as long as your suite is in the general area of at least one of the four buildings the show is held in.
You also have to consider the value of attending the event. These events are usually not public. Though it’s called the Consumer Electronics Show, CES is not open to the public. It is a private trade show that’s reserved for industry members and media. Of course many members of the public sneak in, but really the bulk of consumers see what’s being shown at CES, and most events like it, via media through YouTube videos, live streams, tweets, and so on. Even if the event was totally open to the public, the bulk of consumers would still rely on media platforms because the event is located in a physical location. Most people can’t afford to travel just to see the new overpriced computers coming out in the next year. One of the largest markets in the world is China. Most people can’t even get out of China. How do you think the majority of consumers will find out about the next iPhone? It won’t be because they went to some event held in Las Vegas. So you have an event that’s becoming more and more expensive to attend while the value of attending that event is forever declining as markets shift, grow, and change. This was one of the main reasons Nintendo gave when asked about the change from traditional E3 presentations to the Nintendo Direct model. Their largest market is Japan. Why would it make sense for them to spend boatloads of money to present at a show where most of the people attending/watching would prefer to see another COD or loot shooter in a language that most of their largest market doesn’t even speak? It simply doesn’t make sense from any sensible money management standpoint. It’s also considerably cheaper and more effective to produce videos in house and distribute them through in house corporate channels and free social media platforms than it is to pay media to make content based on your products and hope the content presents said products in a positive way. Remember that even though media charge companies to come check out their booths/suites and make videos about their products, there are no guarantees about what the content produced will say. They can and often do take payment, show up to the booth, and then make videos where they shit on the company’s products. Personally I think this level of honesty is a good thing and hope it continues, but media charging to create content when they rely on that content for their channels to survive is and always has been odd to me.
Finally, the need to attend events from the user standpoint is dying as well. Just last week, PlayStation had a concert by Utada Hikaru for the upcoming Kingdom Hearts III. PSVR owners could attend the concert in VR and have front row seats. PSVR is expensive for sure. But it’s much less expensive than flying to Las Vegas, getting a hotel room for multiple nights, and dealing with the various other costs of traveling. The CES badge on its own was $300 USD if you bought it at the door. At the time of writing this, I can buy a PSVR bundle with two games, one of which I tried for the first time at CES this year, for under $280 USD not including taxes and shipping. Even less if I’m willing to buy it used. Why would anyone ever pay to go to an event again if you can attend them from the comfort of your home in a high definition, possibly interactive VR experience? It simply doesn’t make any sense. It’s not exactly the same as attending the event in person, but for the average person’s needs, it’s close enough. You charge people $20 plus the cost of the hardware to attend any event they want and don’t ask them to leave their home or even wear clothes while attending the event and most people will forgo the need to actually touch and smell the products in person. That’s the entire model of Pay-Per-View fights, minus the VR, and it’s still a profitable business model.
I can go into more specific details about why events are dying, but pretty much it comes down to the companies that organize them continue to raise costs beyond the realm of practicality, companies are actively seeking out and finding cheaper alternatives to attend or circumvent the need to be directly involved in these events because of the rising costs, and the public can’t really attend the events for the most part so the value of said events is limited to begin with. Now let’s be clear, these events weren’t originally established for the public. CES, Computex, E3, and most of the other well-known ones are industry exclusive trade shows that have allowed media to get involved as a way to include the public in later years. But that was never their original intention. These shows exist for the sake of conducting business. Distributors and buyers meet with producers to try to make deals. That’s the point. And that can now all be done digitally as well, so the value of these shows even at their core is dwindling while the added burden of paid media has increased the cost of attending the shows with no concrete guarantees about the returns on those investments.
Now in a way, I think it’s sad. These events are fun. I like attending them. I find value in attending them both personally and professionally. And regardless of how little value they actually have, the public tends to like them as well. Gamers look forward to E3. It’s a waste of time and money that usually disappoints in the long run because of misleading marketing and over promising from developers, but it’s still fun. It’s an enjoyable part of the industry that brings people from all over the world together to discuss their like-minded interests. That’s a good thing. Especially in 2019 when people are so divided on everything else, including gaming itself. So I don’t want to see these events die. But make no mistake they are dying. Pretty much all of them are dying. And if something doesn’t change very soon, I do believe we won’t see CES make it to 60 years. At least not in its current form, size, and popularity.
I’m gonna be honest and say that I was not looking forward to writing this post this year. Not because it was a bad year for gaming but because it was too good. There is just so much to say about gaming in 2018 that I didn’t want to take on the daunting task of trying to summarize it in a single post. There’s really no way to address all the positive things that happened in gaming during 2018. Outside of gaming, the last year was shit. Literally right up to the end of it. But gaming wise it was one of the best years we’ve seen in a long time. So while I’m gonna do my best to do this year justice in a single blog post, I acknowledge that I’m going to come up short. But this post is tradition so it had to be done.
As always, let me talk about how gaming in 2018 was for me personally first. This was an excellent year. I played more release window games in 2018 than I have for the last five to ten years. And I didn’t even break my oath to only buy three day one release titles. Due to review copies, which I’m now getting again in small amounts, as well as borrowing from friends, sales, and winning some contests, I was able to play many games while they were still relevant, which almost never happens. Some of the games I played this year include Monster Hunter World, God of War, Detroit: Become Human, Spider-Man, The Crew 2, Starlink: Battle for Atlas, and of course Smash Bros. Ultimate. I also got a copy of Assassin’s Creed: Odyssey but I haven’t played it yet because I still haven’t played Origins, which I just got for Black Friday. So many of the games I played this year were amazing. I got four platinums. That’s not me bragging. Usually I only get one in a given year. I got four because games kept being so good that I wanted to fully complete them. Plus I played some amazing games from past years like Super Mario Odyssey and The Legend of Zelda: Breath of the Wild. If I had to pick my absolute favorite for the year I would reluctantly say God of War. But we’re talking inches of difference between first, second, and third place. The game that I actually felt had the strongest narrative experience for me personally was Detroit: Become Human. The game that surprised me the most was Mario + Rabbids: Kingdom Battle. I went into that game thinking I would hate it but it was great. Really it was just a full year of phenomenal gaming experiences.
As for completing my gaming goals in 2018, I was pretty disappointing. I only managed to complete six of my 13 main goals and one of my bonus goals. This is much lower than my completion rate for 2017. I’m gonna try to be better and set more practical goals for 2019. The goal I’m most proud of myself for finishing is that I beat Final Fantasy VII for the first time. Now let’s talk about the highlights, good and bad, of 2018 for the rest of the gaming community. Highlights are in no particular order. As I said already, I’m not really going to be able to do this year justice but I’ll do the best I can.
PS4 Wins the Year
Many great games were released in 2018 on all platforms, but there can be no debate that the overall highest quality total gaming experience was on the PS4. SONY delivered exclusive hit after exclusive hit while still allowing players access to the great cross platform exclusives released in 2018 like Red Dead Redemption 2. The best overall platform for gaming in 2018 was objectively the PS4.
God of War
In my opinion, this was the game of the year. I was very much against the idea of them making another Kratos game. I was worried about them changing the setting, changing the actor, and adding in a kid. I went into the game expecting something mediocre, but Cory Balrog managed to reboot a franchise that didn’t need to be touched beautifully. It was visually stunning, well written, expertly acted, and mechanically sound. While I wasn’t happy with the cliff hanger ending, I’m happy that a direct sequel will be made and I was extremely impressed with this game overall. And so was everyone else. It won several awards including PlayStation Game of the Year at the Golden Joystick Awards. At the time of writing this it has a 94 on Metacritic. It truly was a perfect reboot to an already great franchise.
Detroit: Become Human
As hit or miss as David Cage is, he delivered an amazing narrative experience with this one. This story was powerful. These characters were meaningful. This world was depressing while being extremely realistic. Parts of this game hit me so hard I thought I was gonna cry. The multiple social issues addressed were done tastefully while not being overly preachy. I will definitely go into the next Quantic Dream game with optimism. While this game didn’t score as high critically as some of the other games released this year, it is a respected PlayStation exclusive and was nominated for several awards.
Insomniac Games managed to revolutionize the comic book game genre with this one. This game played perfectly. It looked amazing and had one of the best photo modes I’ve ever seen. It was written at the quality of a Marvel movie and even had a Stan Lee cameo. Hopefully it’s to games what Iron Man was to movies and we will now get a collection of amazing interconnected comic book games taking place in the same universe. It’s a PS4 exclusive though so if you don’t have one you better buy one soon so you don’t get too far behind in the timeline.
ASTRO BOT Rescue Mission
I’m not a huge fan of current VR and I have yet to be truly impressed by any games released on PSVR, or really any VR platforms for that matter. While I haven’t personally played ASTRO BOT Rescue Mission, the talk is that it revolutionized VR gaming. It’s been called the Mario 64 of VR. That’s a hefty claim, but if it’s true I hope it means that we’ll start to see consistently great VR games that make the platform actually worth buying for the majority of gamers. I do personally want to try this game after watching some footage but not enough to go out and buy one of those overpriced headsets. Hopefully as the library grows so will my interest in making the purchase.
It warms my heart to know that Tetris still mattered to people in 2018. It still matters to me and always will. While I think the VR aspect of the game is overrated, it is an excellently made Tetris game overall. Filled with stunning visuals, hypnotic music, and an overall calming vibe, this may be the best Tetris game ever made. The price is way too high but it’s quite a good game for what it ultimately is.
PlayStation Won’t be at E3 2019
Just over a month ago, SONY announced that there would be no PlayStation/SONY presence at E3. The reasons why aren’t exactly clear but many people have their theories. Really this shows that SONY is so confident with the PS4 at this point that they’ve become arrogant. Maybe that’s OK though. As long as prices don’t go up and they continue to release great exclusives it really doesn’t matter how they get the word out. In the age of the internet, it’s more effective to do news posts all year round like Nintendo than to launch all your bombs in one event. Personally I have no problem with them ditching E3 as long they continue to keep the public informed about current and future projects. I find the fact that they cancelled PlayStation Experience in 2018 to be more unsettling.
XB1 Continues to Disappoint
I have no love for Microsoft but I also have no reason to hate the XB1 or the people that use it. At this point I just feel sorry for them more than anything. They get all the cross platform games so that’s nice, but that’s not why you buy a console. It’s the exclusives that make or break a gaming platform and by any objective standard the XB1 is broken. The only truly great exclusive they released in 2018 was Forza Horizon 4. And while it may be a good racing game, that genre doesn’t justify consoles or those who purchase them all on its own.
Sea of Thieves
Sea of Thieves is to XB1 what No Man’s Sky, which wasn’t even an exclusive, was to PS4. It’s a boring, repetitive, mostly disappointing pirate themed farming scenario except the prizes are even more disappointing than those of Destiny. Even more depressing is the fact that it was developed by Rare, because we all expect better from them.
The one thing that the XB1 must be praised for is the backwards compatibility. The library of backwards compatible games continues to grow and that’s a beautiful thing. It still doesn’t justify the console overall, but it’s a noble thing that Microsoft has taken huge steps in preserving the overall useable lifespan of games. This is even more important in light of Nintendo literally suing private citizens for trying to preserve their older titles. I’d like to see PlayStation take on similar policies with the PS5.
I have spent years waiting for them to port Sunset Overdrive to a platform I actually use. In November, they finally ported it to PC. While this is great news for PS4 users, it only serves to cheapen the value of the XB1 even more. Porting an exclusive like that is a slap in the face to the entire loyal XBOX user base.
Nintendo Gonna Nintendo Hard
What can I say about Nintendo that hasn’t already been said about pet cats? They do whatever they want. They almost completely ignore public opinion on most topics. Nothing they do ever seems to make sense from the outside. They literally attack those who love them. But we still love them. The company doesn’t always make the best decisions, but they almost always make profitable ones. Sales wise, Nintendo owned this year. And that’s following 2017 where we saw Super Mario Odyssey and The Legend of Zelda: Breath of the Wild. They just print money.
Pokémon Let’s GO
Haters ranted and raved and continue to do so, but this game sold three million copies in the first three days after release. I haven’t purchased it but the more I see footage from it the more I want to. It looks the way Pokémon was originally intended to but couldn’t because of technological limitations. While I think it’s ridiculous to be charging $100 for it because of a single use controller, the overall concept of the Let’s GO games works. And linking it to Pokémon GO was a brilliant move. I doubt this is the last we see of the Let’s GO series.
Smash Bros Ultimate
Simply put it’s the best Smash Bros. ever made. It is definitely missing a number of features like break the targets and a story mode reminiscent of the original game. But I would still argue that it’s the best in the series. And I do foresee patches and additions being added to it. I will be playing this a lot more than I already have and I don’t even have Nintendo Switch Online.
Super Mario Party
This was certainly a step in the right direction but it came up short. Most people who grew up with the original Mario Party wanted Super Mario Party to just be that with online pvp functionality. Instead they just did a small list of boards, lots of mini-games, and limited online functions. This game was so close to being perfect, but isn’t that what Nintendo does all the time? They love to get about 75% there and just screw up the end game.
This service is pretty much everything I feared for Nintendo. It’s peak predation in every sense of the word. The so called deals are basically non-existent. The number of games worth having the service for is super limited. The retro titles are too retro to warrant paying for the service. This is pretty much an additional paywall for Splatoon 2 and Smash Bros Ultimate that has to be repaid annually.
Dead or Alive Xtreme 3: Scarlet
This is noteworthy more in how surprising it is than the actual game itself. This port of the latest Dead or Alive Beach Volleyball game was not expected to be available on the Switch. Even more surprising is the fact that the Switch version will be uncensored while the PS4 version will be censored. And let’s not forget the HD Rumble feature. Basically playing this game on the Switch is as close to feeling up a woman that the people who are gonna buy this game will ever get to. For a console and company that’s always packaged itself as the family friendly gaming brand, it’s quite shocking and meme worthy that Nintendo allowed this.
Ports, Ports, and more Ports
Ports on the Switch aren’t just for Wii U games anymore. Real AAA PlayStation and XBOX titles are making their way to the Switch and they play and look fairly good while also being portable. DOOM, Wolfenstein II, and Final Fantasy XV: Pocket Edition are just a few examples. And many more have been announced from current and past gens. Slowly the Switch is becoming the most versatile console to game on and the sales numbers show that it’s working.
Monster Hunter World
Supposedly this was the bestselling Capcom game ever released . . . and rightly so. What’s great about MHW, and why it was so successful, was that they took an already award winning concept and made it accessible to all gamers. The idea of hunting giant monsters with a very limited narrative structure has always been a good one. The problem with past MH games is that they were always too complicated and had a steep barrier of entry. This game keeps what’s good about the past games but made it much easier for new players to jump in. The many limited time events throughout the year with various cameos like Ryu and Dante have kept the game relevant even several months later.
Battle Royale is Cancer
Cancer is a disease that takes already existing cells within a body and transforms them into harmful cells. As the disease spreads across the body, more and more cells are taken over by the spreading cancer until the life form eventually dies. I think this is a rather apt description of the battle royale genre. It has over taken the industry as the most watched genre on Twitch and developers have taken notice of that. More and more games are adding BR modes. It’s a genre that adds nothing particularly new to gaming. It just transformed traditional PVP into baseless 100 man maps with no story, no chance to turn the game around after dying, and no reason to care about the match once you’ve died. I think it adequately portrays how much people’s attention spans have fallen due to technological advances. I fear for the day that all games become Battle Royale and real gaming eventually dies.
Red Dead Redemption 2
What happens when you take The Witcher 3 and set it in the Wild West era? Something extremely popular even when riddled with glitches. I’ve heard people say this isn’t just the GOTY but the “game of the generation”. Slow your roll. It’s an epic achievement in many ways and Rockstar Games should be proud to have delivered something so impressive. That being said, it still has many of the various issues we’ve grown accustom to with Rockstar titles. While it was certainly one of the most impressive games of 2018, I’m fairly certain we won’t be talking about it once Cyberpunk 2077 releases.
Bethesda went whole hog on not giving a damn this year. Not only did they put out the travesty that is Fallout 76, but they followed that up by saying The Elder Scrolls VI and Starfield would use the same broken engine they’ve been using since 2011. Skyrim was an excellent game but it’s really time to move on to the next engine. I don’t completely blame the engine for all the problems with Fallout 76, but it definitely played a factor. Of course Bethesda is nowhere near closing down, but the fact that we keep letting them get away with releasing broken games is problematic to say the least.
Spyro Trilogy Remastered
When you find a winning formula you keep doing it over and over again until people get bored with it. Spyro Reignited Trilogy is a testament to how successful Crash Bandicoot N. Sane Trilogy was. They’ve also announced that Medievil is being remastered for 2019. Personally I’m OK with them remastering much older games and clearly everyone else is as well.
Destiny 2: Forsaken
While I have no love for Destiny and would never buy another game in the franchise, it must be acknowledged that people really seemed to like the Forsaken expansion in Destiny 2 so kudos to Bungie for getting that right. That being said, Activision is doing everything they can to make people angry with microtransactions.
No Man’s Sky Patches
I still haven’t played No Man’s Sky but as they have evolved the game over time the idea has become more and more appealing. While I’ll probably never completely trust Hello Games, I will commend them for acknowledging that they screwed up with that game initially and have worked tirelessly to improve it, which they have and continue to do. I think NMS is directly responsible for Ubisoft’s decision to make Starlink: Battle for Atlas, which is an achievement in and of itself.
Starlink: Battle for Atlas
In my opinion, this was the hidden gem of 2018. I don’t know why it wasn’t talked about way more than it was, but I will admit that there are some inherent flaws with the way it was priced and distributed. I finished it and really enjoyed it, but I did feel like it was short at only 30 hours for an open solar system game. I have said it before and I’ll say it again, Starlink is everything we wanted from NMS plus Starfox, if you play the Switch version. It’s really just a narrative focused NMS with the ability to fast travel, a manageable amount of content, and a real plot to follow. You also have multiple playable characters. I think the toys, specifically how they were priced, were a turn off for people. I have the digital deluxe version and I think that really is the superior way to play. If they had not done the toys and instead just sold the deluxe version content with all the characters available as the vanilla version and then a gold edition with additional story missions, that would have been a lot more successful. Because the game isn’t about the toys. They’re a gimmick to try to compete with amiibo. But the game itself is great and it’s a travesty how little attention it actually got.
Assassin’s Creed: Odyssey
The Assassin’s Creed franchise went through quite a few years of disappointing content. People, myself included, were fed up with the horrible storytelling and the awkward structure of games like Unity. Having finally played Syndicate this year, I have to say that it was actually quite good on all fronts. But it was still the old style of game that had become tiresome and overdone. Changing the formula in Origins really reinvigorated the franchise and Odyssey successfully continued that momentum.
I don’t think it’s the game itself that’s necessarily noteworthy here. It’s the fact that the game finally released. When THQ shutdown, the Darksiders franchise was up in the air. Most people who had played the first two, such as myself, definitely wanted to see III released, but there were no guarantees it would ever happen. To see it finally release six years after II is amazing. I haven’t gotten to play it yet myself, but thankfully I’ll actually be able to because it exists.
Gaming Industry Do’s & Don’ts
If the battle royale genre is the cancer of gaming, Ninja is a tumor. This toxic hack somehow managed to become the face of Fortnite and end up as the first non-athlete to make it on the cover of ESPN magazine even after having said a racial slur during a live stream and basically throwing all female streamers under the bus. It just goes to show you that the influencer system is no different than systems of the past. Minorities and women get shit on while assholes get rich for doing little to no actual work. I hope this hack goes away and takes Fortnite with him.
Castlevania Netflix Season 2
Castlevania is not just a great game cartoon. It’s just a great cartoon. The animation style, the storytelling, the acting, and the relationship with the games are all done perfectly. Cartoon production studios should take note of this show for literally any genre that contains violence and caters to an older audience. I hope we see other shows like this for other classic game franchises like Metroid.
Monster Hunter Movie
The only positive thing I can say about this movie so far is that they cast Tony Jaa. That’s an A+ casting decision for a Monster Hunter movie. Other than that, this whole project looks like shit. They’ve shown tanks and modern looking guns. The casting in general seems to be steering more towards an American audience of people who don’t actually play the games. And don’t pretend like the Resident Evil movies were good. This all reeks of a cash grab franchise that will drone on for years and years against the desires of the people who actually play the games.
This is what happens when you cheapen the term gamer to the point of including absolutely everyone with a smart phone. The number of controversial articles they put out claiming games are destroying society, women, and the future is just appalling. Their twitter feed is one of the most entertaining comments sections you can read though so at least there’s that.
I have no love for Diablo. I have no love for Blizzard. I have absolutely no positive feelings about Activison. In fact I’m worried that Sekiro: Shadows Die Twice will suck because of Activision. While I don’t support Blizzard in any way, I feel bad for their loyal fans who have spent years hoping for the next Diablo. Them announcing a mobile game and not even mentioning a proper next installment was a real slap in the face to all their fans. I commend that guy for standing up in the middle of their conference and calling them out. And then they followed that by announcing that all their franchises are getting mobile games. Clearly Activision has poisoned that already stagnant well and any smart person would jump ship rather than throwing more money into that pit or microtransactions, predatory pricing, and general disregard for their consumers.
Goodbye Telltale Games
This hurt a lot. And the news came out of nowhere. I was so sad to hear that I won’t be getting The Wolf Among Us season 2 among other titles. I beat Guardians of the Galaxy this year and Game of Thrones last year. I was waiting for additional seasons of both. But really I should have seen this coming. I have said multiple times in the past that they seem to be taking on way too many projects. And I wasn’t aware of just how bad their licensing agreements were with a lot of these companies. The studio really was mismanaged and it’s a shame what happened to all their employees. It reminded me of when Visceral Games closed down, save for the fact that Telltale didn’t collapse because of bad management from an overarching publisher. Hopefully small studios will learn from this and stop trying to be too big for their britches.
Goodbye Prima Games
Prima Games closing its doors is the equivalent of seeing your childhood home demolished for me. I used to collect their player’s guides. I recall some of my favorite ones that I still have in a box somewhere. Games like The Legend of Zelda: Ocarina of Time, Kingdom Hearts, Final Fantasy X, and many others. But it makes perfect sense that they closed down. I’m shocked they lasted as long as they did. Printed gaming tips in 2018? GameFAQs has existed for more than 10 years. YouTube playthroughs and guides can be watched from your phone. Google can pinpoint the exact item you’re looking for and bring up a marked map of where it is in the game in seconds. Who was still buying player’s guides for any reason other than collecting and nostalgia? And they weren’t cheap either. Every time I saw a new guide released by them I was shocked at how expensive they were in recent years. They cost more than many games do now. All good things must come to an end and Prima Games had a great run.
2019 Looks Amazing
There are a host of great looking games coming out in 2019. For PS4 it’s going to be the year of the samurai. For the Switch we’ll see new installments of some classic fan favorites. CD Projekt Red may raise the bar even higher than The Witcher 3. This is just a small sampling of the announced games for 2019.
Ghost of Tsushima
Kingdom Hearts III
Yoshi’s Crafted World
Devil May Cry V
The Last of Us Part 2
Sekiro: Shadows Die Twice
Luigi’s Mansion 3
There is so much more I could cover but no one wants to read a 20 page blog post in 2019 and I really don’t have the time or energy to write one. Overall I’d say this was a really good year for gaming, unless you’re predominantly an XB1 user. I really didn’t cover enough of the bad moments but there were just so many noteworthy goods to talk about. I hope this is not an outlier year and that 2019 continues this trend of great gaming. My biggest concern at this point is deciding which games I’m going to take the time to play because there are so many worthy candidates. How was gaming for you in 2018? What games are you most excited about in 2019?
If you read my blog regularly then you know that I am very big on consumers taking control of the gaming industry through organized management of our spending practices. I often write pieces calling for people to actively take charge of the industry’s general direction through boycotts and selective support of certain products and practices. I have on more than one occasion been accused of hyperbole and over dramatization of the situations I write about. Part of the reason for this is that I’m usually looking at the big picture which means predicting long term repercussions that can and often do take years and even multiple generations to manifest. All the way back in 2013, when my blog was still hosted on IGN, I wrote a long post where through thorough analyzation and educated guesses based on past events, I predicted that SONY and eventually Nintendo would ultimately do exactly the same bullshit that Microsoft was doing at the time with XBOX. This post was focused mostly on practices surrounding things like paid online multiplayer access, paid DLC content, and the general direction of all three companies. At the time, many people viewed SONY as the player friendly company that had our best interests in mind while Microsoft was the greedy, evil corporation who only cared about profits. Nintendo was the good egg that would never betray us. Now, five years later, SONY is pretty much the equivalent of Microsoft when it comes to management of their platform and Nintendo is steadily following suit with paid DLC, season passes, and literally this week they will be implementing paid online multiplayer subscriptions. I was right on literally 100% of my predictions about the way the industry was going five years ago. They called me a madman. They called me paranoid. But I knew I was right. Sadly the post no longer exists because IGN removed all user blogs from their website, but I probably have the original draft in a Word document somewhere if anyone really wants to read it.
So in that context, we really need to talk about Nintendo Switch Online. Last week, Nintendo published their latest Nintendo Direct. Overall it was pretty solid. But with less than a week prior to going live, they finally gave some actual concrete details about their new subscription based online service. It is in every way a tragedy. It’s insulting to gamers. It’s not offering anything of value that we didn’t already have for free. And it doesn’t even compare to its competitor services in application or value. Similar to when Nintendo replaced Club Nintendo with My Nintendo, it’s a total shit show.
Let me quickly summarize what the service looks like. For $20 a year, or $35 a year for a family plan, which still needs to have more concrete details published, you get cloud saves, online multiplayer, the ability to use your smart phone to talk to other people in the games you’re playing multiplayer with (you know because it’s a phone), access to a supposedly constantly growing library of NES games, most of which you already own in some other form or have already played and don’t care about anymore, and you get access to “special offers”. These offers currently include the “opportunity” to pay $60 plus I assume shipping (and possibly tax) to buy NES themed Joy-Con controllers you don’t actually need to play any of the NES games and a special Splatoon 2 skin representing an e-Sports team you don’t care about or probably even know. New offers will supposedly be added in the future but for now that’s all there are. It’s objectively a bad service. Not to mention it’s on a platform with a very limited library of popular multiplayer games. If you don’t include Splatoon 2,Mario Tennis Aces, and the unreleased Smash Bros. Ultimate there’s almost no reason to even care about multiplayer on the Nintendo Switch. There are a scattering of games here or there that have multiplayer. Like I play Just Dance online all the time. Some people still play Mario Kart Deluxe and even ARMS online. There are some indies like Overcooked 2. But for the most part the Switch is not a multiplayer platform. You’re buying games like The Legend of Zelda: Breath of the Wild and Super Mario Odyssey. Remember that even the upcoming Super Mario Party won’t have full online capabilities. You’ll be able to play a select list of mini-games against other players online and nothing else.
The Switch simply is not a platform that has enough dedicated AAA multiplayer value to warrant charging people for the service. And the other benefits are so minuscule and in some cases downright insulting that charging anything for them is egregious. You can’t even send messages to people directly through the console. You have to use your phone. Who in their right mind thought it was acceptable to charge people a fee to use their phone, which they’re already paying a fee to use, to send messages? That would be like buying a soda from McDonald’s and then being charged an additional fee to drink it inside the McDonald’s. To top it all off, Nintendo has decided that they can get away with this because they’re only charging $20, which is cheaper than PS+ or XBL. That’s not a justification. You don’t get to offer a shitty, totally unwanted service at a lower price than a competitor’s service and expect people to be OK with it. Because as much as I hate paying for PS+ at least it’s a subscription that actually provides me with services. I get free current gen games with the service. I get discounts on new games with the service. I can do things like send messages, send pictures, and create chat lobbies with friends on the console with the service. I can even shareplay with the service. It’s overpriced for sure. The games they’ve been offering in the last few years are much lower in value than in the PS3 era for sure. But it’s still a service that has general value above what I was getting when it wasn’t a mandatory service. Nintendo Switch Online offers none of that except cloud saves, which I don’t need in the first place on a portable console with an SD card memory system. My saves are fine. So we need to fix this.
Usually when I write posts like this it’s about long term issues concerning specific games or services that will have an effect on the future of gaming. But in this case, we’re literally talking about today. Yes there are long term repercussions for supporting Nintendo Switch Online, but the short term effects are just as noticeable and important. The service goes live tomorrow. I don’t want to be insensitive about the fact that the Direct was postponed because of a natural disaster, but it’s very suspect that we were given actual details about this new online service less than a week before it goes live. By all rights I should have published this post days ago but I didn’t even have enough time to properly analyze the details of the service and get the post prepared until now. Usually I publish my blog posts on Wednesdays but this was too important to delay till after Nintendo Switch Online goes live.
Just like we did with XBOX One when it first announced always online, or with Star Wars: Battlefront II, we need to actively and loudly boycott and publicly declare our disgust with Nintendo Switch Online in its current form. Do not give them the ability to take this service forward in this way. Yes I understand that I’m asking you to not enjoy some of your games that you’ve already purchased to their fullest extent. I too own ARMS and Splatoon 2. I too plan on purchasing Smash Bros. Ultimate day one and realize that the experience will be crippled for many people without the ability to play online. But we need to think long term here. This is a crucial moment because it will shape the way Nintendo handles online service forever. With this platform and all future platforms, this is a watershed moment. A moment that we didn’t properly handle when XBOX Live Gold was first announced. A moment that we didn’t take seriously enough when PlayStation Plus was turned into a mandatory service. We have an opportunity here to tell Nintendo an emphatic NO. That we will not allow ourselves to be taken advantage of simply because the price is lower than what Microsoft and SONY are charging, which are also overpriced services we shouldn’t be paying for in their current form either by the way.
I’m not saying we should never be willing to pay Nintendo for an online service. I don’t want to pay for such things and I genuinely believe we shouldn’t have to pay an additional fee just play the games we already paid for. But I already pay and have paid SONY for online multiplayer for a number of years. So it would be hypocritical for me to deny Nintendo the same privilege. But I’m not going to just hand them money for a subpar service just because they’re charging less for it. I’m calling for a boycott to incite change to the service. Not a permanent decision never to pay them for online multiplayer. What we need is to hold out as a group of concerned and conscientious gamers until we get a service that works for us and compares to the other services we’ve already been paying for. That means the essentials of course such as working online multiplayer with better servers than we were already using when multiplayer was free. It means a working messaging and voice chat system that doesn’t require us to own other forms of hardware that have nothing to do with the console we’re playing our games on. It means cloud saves that aren’t deleted when you unsubscribe or let your service lapse. It means not having to check in every week. You will literally lose your service continuity if say you got married and didn’t take your Switch on your honeymoon. That’s absolutely ridiculous. It means a library of current gen games made available as part of the service at no additional cost. It means noteworthy discounts on new games from the e-Shop. And yes that $20 price tag needs to remain consistent even with these additional aspects of the service. Especially considering the lacking multiplayer library to begin with.
As a Switch owner myself who uses my console literally every day, I implore you to stand with me on this. Do not sign up for Nintendo Switch Online when it goes live tomorrow (September 18, 2018). Hold out. Demand a better service and refuse to settle for the time being just so you can continue playing Splatoon 2 or Mario Tennis Aces. Make a small sacrifice in the short term for much better results in the long run. Tweet about it. Post about it on Reddit, Facebook, and every other platform you use. Make YouTube videos declaring your decision to boycott and why. Discuss it while you’re streaming on Twitch. Do not give in to Nintendo’s clear betrayal of their values and user base. This is not the service that the late, great Satoru Iwata would have wanted. We NEED to boycott Nintendo Switch Online right now and not let it even start to get a footing. This is not just crucial for Nintendo users, but for all console gamers. If this service is profitable, it will only serve to show Microsoft and SONY that they can lower their service quality, even more, and still get away with it. Now is the time for action. It may only be $20 today but that $20 means a life time of regret for gamers present and future.
For those of you who have been living under a rock for the past five or so years, Rabbids are these stupid rabbit like creatures that appear to be sentient but never seem to do anything other than make funny noises and cause trouble. They originally appeared in Rayman 4 (2013) but were so popular that Ubisoft decided to give them their own game series. I hate Rabbids. I think they’re annoying and add very little to no value to gaming history. I have gone out of my way not to play any game featuring them, including Rayman 4. But technically I haven’t played any of the Rayman games, outside of demos, so that doesn’t necessarily mean anything special. In any case, Rabbids irritate me.
It was my distaste for Rabbids that made me very unhappy when they first announced Mario + Rabbids Kingdom Battle for the Nintendo Switch. I actually really liked the idea of them making a Mario strategy game with a Banner Saga style grid battle system. While it isn’t canon, pun not intended, I was fine with them giving Mario and friends guns. The game seemed very interesting. But I could not stomach a Rabbids game. It felt so odd to see Nintendo allow Rabbids to enter the Mario universe. It was very out of character for the company and I’m still not entirely sure how it happened. It was the presence of Rabbids in the game that made me ignore it initially.
Mario + Rabbids Kingdom Battle was released just a few months before I finally purchased my Switch. I knew I was going to purchase a Switch and I knew when I was going to purchase it. What I didn’t know was that I was going to end up purchasing a Rabbids game on the same day. I had sworn the game off but then people started talking about it. So many people on Twitter were praising the game for its amazing gameplay mechanics. I didn’t have any particular reason to think the gameplay would be bad but my bias against Rabbids made me assume everyone was over exaggerating. They have in the past on multiple occasions. So I was still not planning on buying the game. Then the awards season hit.
Mario + Rabbids Kingdom Battle, to my surprise, won four awards for best strategy game and was nominated for several other awards from multiple game awards shows. I was shocked it did so well. It seemed like people weren’t exaggerating and that it really was that good. I have owned every console Mario game since Super Mario 64, and many from before that as well. Part of me was devastated to be skipping this Switch Mario game. And the promise of amazing gameplay in a genre I hadn’t really experienced in a Mario game before was also very alluring. But I still said I wouldn’t buy a Rabbids game.
It has always been a ritual for me to buy a stack of games when I first purchase a console. I’m not one of those people who buys a new system just to play one game. It needs to already have several games I want to play before I even consider buying it. On the day I went to buy my Nintendo Switch, multiple limiting factors came into play. The Legend of Zelda: Breath of the Wild Explorer’s Edition hadn’t been released yet and wouldn’t be for a few more months. Super Bomberman R was sold out in all the stores I went to because it had just recently been brought to Taiwan. I did eventually get it though. Snipper Clips was a game I was buying specifically to play with my girlfriend so it didn’t count in my stack of games to play with purchase. I would kind of say the same about Just Dance 2018 but less so. This meant that the only games I was buying for my new Switch to be played for myself at this point were Super Mario Odyssey, obviously, ARMS, Sonic Forces, and Splatoon 2. Two of those games aren’t even real single player games. It was at this moment that the clerk, who I actually know very well and trust his recommendations, suggested Mario + Rabbids Kingdom Battle.
With only two legitimate single player games, the great reviews, and the awards, I ended up buying my first Rabbids game. It hurt even when I was making the purchase but I did it. I bought Mario + Rabbids Kingdom Battle. I felt dirty. I felt like I had betrayed my morals. I did not feel happy about the purchase. But it was already done. And in Taiwan you can’t actually make returns for games so even if I wanted to change my mind, I couldn’t.
It took me seven months to finally start playing Mario + Rabbids Kingdom Battle. By that point I had beaten Super Mario Odyssey, The Legend of Zelda: Breath of the Wild, Sonic Forces, the Splatoon 2 single player campaign, gotten bored with both ARMS and Super BomberMan R, and had beaten other games on my PS4. It was time to give this game I had purchased a try. The start of the game was not promising. An annoying video that features the Rabbids prominently for several minutes before Mario even appears. I had to stomach through it and get to the actual gameplay.
Once you make it through the necessarily long tutorial and actually get to battle on your own, you realize right away that Mario + Rabbids Kingdom Battle really does have amazing gameplay. It’s different from any other Mario game I’ve ever played and it’s extremely well done. I was hooked so quickly. The other thing that’s really nice about it is that it has text based dialog and turn based gameplay. Meaning you can play it with no sound while doing other things and you don’t miss out on the experience much at all. I love to play it undocked while watching Netflix. It’s great. I don’t even have to hear the Rabbids making all their annoying sounds. The gameplay is creative, addictive, and convenient. And it’s easy to play just one battle and then step away. Jumping back in is fairly easy with the Switch’s sleep mode function.
So let’s actually talk about the Rabbids. It took me quite some time but I will admit that the Rabbids in this specific game have grown on me. This is due largely to the dynamic Ubisoft has created by making copies of the Mario characters as Rabbids. Rabbid Peach is one of the funniest characters I’ve seen in a long time because of the dynamic she has with Peach and Mario. Alone she is just a ridiculous character that spends too much time taking selfies. But when interacting with Mario and constantly competing with Peach, I find the character hysterical. Other Rabbids in the game are funny too. Rabbid Donkey Kong looks so awkward that you can’t help but laugh. Rabbid Mario’s mustache looks ridiculous. I haven’t gotten Rabbid Yoshi yet but I’m sure that’s going to be hilarious as well.
It seems I’ve learned to tolerate the Rabbids in the context of this game and they actually make me laugh. I really have to commend Ubisoft for creating such an excellent game and tip my hat to Nintendo for taking such a large risk with their most important franchise. I’m usually very good about gaming predictions but have to admit that I did not see this coming out nearly as well as it did. I enjoy Mario + Rabbids Kingdom Battle so much that it will be the first Nintendo Switch game that I actually purchase DLC for. I regret that I didn’t wait for the Gold edition originally because I really want all the content for this one. Maybe one day I’ll even buy a second Rabbids game.
It’s been a while since I did a Gaming Photography post, but I finally “finished” Breath of the Wild so I thought this was more than worthy of such a post. I’m actually going to do a longer “review” of this game but for now I just wanted to take the time to appreciate the stunning visuals of this game.
I took more than 1,600 pictures in this game because there are just so many great moments in it. Though I could never hope to capture this game with enough screenshots in a post like this, I’d like to present my top 30 photos from The Legend of Zelda: Breath of the Wild. I also post game photos on my Twitter and Instagram often.
*If you’d like to see the full resolution image please right click and press “view image”.
Please let me know what you think of my shots. Any feedback is appreciated because I would like to improve my gaming photography skills.
In 1993, one of the greatest and most influential flying based rail shooters ever made was released. This was of course Star Fox for the SNES. I’ve always had a love hate relationship with the game. As a kid, I poured many hours into it, but never was able to beat it. In fact, I’m fairly confident I never passed the third level as a child. I struggled consistently with level two, the asteroid field. It was too fast paced and difficult for me to play it confidently as a boy. But I kept playing the game anyway. And I kept losing. But I never stopped liking the game. Some years later the N64 was released and in 1997 my favorite of the Star Fox games, still to this day, was released. Star Fox 64, like every other core Star Fox game, is just a fancier recreation of the original SNES game. It doesn’t matter which version of the core game you’re playing on whatever platform. You’re always playing the same general game. The graphics, controls, and available vehicles change and improve over time, but it’s always the same story, levels, and characters in the same basic order and the same awesome looking map. For a different Star Fox experience you have to go to one of the few alternative titles like Star Fox Adventures (2002) or Star Fox Assault (2005), both for the GameCube. Both excellent games, in my opinion, because they are so different from the core games. They are also made by different teams than the core games.
While most people have probably played at least one core Star Fox game, very few have had the pleasure of playing Star Fox 2 (2017). This game has an odd and colorful story. It was originally developed for the SNES to be released in 1996 but was cancelled with the impending release of the N64. It wasn’t until 2017 with the release of the SNES Classic console, and much pleading/begging from fans, that the public was finally given access to this game. This is the main reason I bought that console. As a diehard Star Fox fan, I absolutely had to play this game. I was fortunate enough to find a store that had imported the American version of the console to Taiwan, because I can’t read Japanese . . . After first finally beating the original Star Fox on the SNES Classic, I immediately played Star Fox 2.
I want to talk about this game, and honestly I meant to weeks ago, but haven’t had the time to do a proper write up before now. But I don’t want to do a formal review. Let me be perfectly clear. If you are given the opportunity, and don’t already run emulators, you should buy the SNES Classic. This is one of the best gaming purchases I’ve made in a long time. If you grew up in the SNES era, this is a must buy console whether you’re a Star Fox fan or not. This console has given me the ability to go back and play some of the best games from my childhood and I’m actually beating them finally. Of the 22 games provided on the console, I had actually only completed one of them (Donkey Kong Country) on the original SNES. To be fair, I only owned four of the games provided on the SNES Classic, but this console has just about all the must play titles. And I am so happy that I’m finally getting to beat them. So again, even if you don’t give two shits about Star Fox 2 you should still buy an SNES Classic if you have the chance. But I want to take the time to discuss Star Fox 2 specifically in greater detail.
I wasn’t exactly sure what to expect from Star Fox 2 going in. It could have been just another rails shooter or a completely different genre altogether. I didn’t know what the story would be or who the villain was. Assuming it was directly connected to the original Star Fox, Andross was supposedly dead already. So really I had no idea what the game was going to be.
Star Fox 2 is a completely different animal from Star Fox, but it, like all the core sequels assumes no prior games have taken place. You go up against Andross like in all the other core games, and have a very similar all range mode fight against his head. But that’s pretty much the only similarity other than recurring characters and the Lylat System setting. For starters, the game is not on rails. Every level is in all range mode. The levels are different. You do not follow a strict pre-mapped path and the levels on the new map aren’t the same as those from the original game. The map is open, meaning you can travel around it freely and complete levels in whatever order you want, with a few caveats. Also very notable, you don’t have to play as Fox McCloud. There are six playable characters, two of which are never before seen female characters. You choose two of the six at the beginning of the game and can complete the entire game with just those two. There are also three difficulty levels, one of which is locked at the start of the game. This game plays more like a real time strategy shooter than a mission based rail shooter. You are given the ultimate goal of reaching and defeating Andross but to do that you have to accomplish certain key tasks on the map as well as prevent enemy forces from destroying Corneria. The game keeps you active even in the map portion of the game. You have to take into account shield levels, enemy locations, incoming missile strikes, and there’s a timer. It’s like no other game I can remember playing in that era.
Visually speaking, it’s on the same level as Star Fox. But because of the smaller all range mode levels, there’s a lot less detail in specific stages. Much of the game is played in first person view for your space flying missions and the planetary missions have you switch between Arwing and Walker modes in real time. It does have a much more advanced HUD though, including a mini-map. Plot wise there’s not as much going on as the first game, but that’s because the game is active the whole way through. You’re kind of writing the plot as you go. There is dialog though. The game controls fairly well for the SNES era. I would say it’s on par with Star Fox but also calls for finer movements in a number of indoor missions that require but don’t force you to use the Walker mode. All in all, I think it’s very different but actually a really solid game for the time.
The true shame of Star Fox 2 is that it wasn’t released as planned in 1996. In my honest opinion, it was very revolutionary for the time. For instance, the Walker is a key part of the gameplay. In the core games the Walker was only just made available in the latest version, Star Fox Zero (2016), for the Wii U. I was shocked to discover that they had this vehicle playable all the way back in 1996. Looking back, I think of all the great games that never were because this game didn’t get released to inspire them. Playing it today, there’s really nothing new here, except for maybe two playable female characters in a Nintendo game that’s not Smash Bros or Mario Kart . . . You’ve seen all the stuff this game has to offer by 2017 if you’ve been gaming since the original Star Fox. But you really hadn’t seen it all in 1996. Even Star Fox 64 didn’t have everything Star Fox 2 has to offer. Certainly no vehicle morphing and multiple space based levels in all range mode. I feel like this game would have inspired a ton of games that we never got to play and it could have easily influenced the Star Fox franchise more than it already did. Imagine if there was an entire second branch of Star Fox games based on Star Fox 2 that released in each gen along with the core games. Or they could have eventually merged the two into one bigger, more versatile game. As a big Star Fox fan, I feel kind of like I was cheated out of some great games all because this game was never released in its heyday.
Ultimately I’m glad that I got the opportunity to play Star Fox 2. I’m glad they released it and I’m glad I got to experience it. I hope they do make another game inspired directly by this one. In reality it’s not very long and can be completed in less than 40 minutes so technically they could just add a mode to the next core Star Fox game. If you get the opportunity, I definitely recommend you give it a shot.