In 2013, I was in a really weird place in my life. Maybe the lowest I’ve been since I graduated college. I was living in a shitty town in a shitty state making pizza in a bar with a dual degree from an Ivy League university. No this isn’t the story of another failed liberal arts degree student. This is a story about love. My girlfriend, now wife, was attending graduate school in a small town I’d never heard of and I moved there with her to support her financially. What I wasn’t aware of when I agreed to move there was that there were no real businesses in that town except bars. I didn’t own a car at the time because we had moved there from abroad. And even if I had owned a car, we lived in a college dorm, provided by her graduate program, that charged a fortune for parking so owning a car in that scenario wasn’t really an option anyway. So I got the only local job I could find, which ended up being making pizza in a bar. I worked long hours, weekends, and was paid very little. But I did it because you gotta do what you gotta do.
At the time I owned a SONY Vaio laptop that was three or four years old. I had used it during college and couldn’t afford to replace it so I continued using it as my only computer option. It was good enough for basic things but it couldn’t run most games other than older emulators and indie titles. Some of my followers may remember my failed attempts to stream via that laptop back in those days. I spent most of my time gaming on my PS4 and Wii U and usually streamed via my PS4 directly to Twitch. I also recorded a lot of footage and uploaded it after the fact. My laptop could handle this. It just took a really long time to process the videos.
During this time, a friend recommended that I try a game called The Witcher. It was a PC game made in 2007 by some Polish developer I had never heard of. I didn’t know a thing about the game. Today that seems ridiculous to say, but this was before The Witcher 3 was really being talked about. In fact, it was like right before. If you followed the company and the franchise, then you probably already knew about it and were looking forward to playing it. But if you weren’t already into the franchise then, like me, you probably knew nothing about it. And I’m someone who’s usually pretty knowledgeable about upcoming games even when I’m not looking to play them myself. I wasn’t really interested in playing The Witcher but both it and The Witcher 2 were on sale on GOG for like $4 together so I bought them more to appease my friend than out of any actual interest.
As with most games I buy, I didn’t end up playing The Witcher as soon as I bought it. A few weeks or maybe even months went by. Then suddenly The Witcher 3 began its mainstream marketing run. This was actually one of the last games I remember seeing commercials for on cable, because this was the last time in my life that I regularly watched cable TV. The game looked amazing. We know now that it was/is, but at the time the ads were the thing that really sold me. But I’m the type of person that needs to play all the games in a franchise in order. So my desire to play The Witcher 3 finally pushed me to start The Witcher.
Thankfully my old laptop could run The Witcher. This shouldn’t be surprising because the game came out about three years before my laptop. I would call The Witcher the best bad game I’ve ever played. It can only be described as some of the best writing I’ve ever seen in a game coupled with some of the worst gameplay I’ve ever forced myself to slog through to the end. It’s not even accurate to call it a great game so much as a great experience. I absolutely hated actually playing it but I couldn’t get enough of the story, characters, and world. So when I finished it, I immediately knew that I was gonna play The Witcher 3 and literally loaded up The Witcher 2 as soon as the credits finished rolling. This is where my troubles really began.
The Witcher was released in 2007 and my laptop from 2010 could run it with little issue. Even though it wasn’t a gaming laptop, the leaps forward in technology over that three year gap made an office laptop viable for playing an old game. The Witcher 2 on the other hand was released in 2011. While it wasn’t released that far after my laptop, it was a modern game with hefty graphics for the time. Sadly my SONY Vaio just couldn’t hack it. Even at the lowest settings, I was not able to run The Witcher 2 smoothly. I was so depressed that I couldn’t play that game. At this point I no longer owned an XBOX 360 and for some stupid reason that was the only console the game was available on. I could have went out and bought a used one but I refused to go back to a console that had already broken down and been replaced on four separate occasions before I finally gave the system up for good. That meant that my only option was getting a new PC.
It was at this moment that I finally decided to build my own PC. I had known multiple people in college who had built their own gaming desktops but the prospect of doing that always scared me. It seemed too difficult, too expensive, and too risky. But I decided that was as good a time as any because I really wanted to play The Witcher 2. The Witcher 3 was a non-issue because I could get that on PS4 if I wanted to. But I had to play The Witcher 2 first. I never do anything small. If I’m gonna do something, I’m gonna take it seriously from start to finish. I wasn’t just gonna build an OK PC that could barely run The Witcher 2. I was gonna build a hefty system that could easily tackle running The Witcher 3. It ultimately took me three years of studying, saving, and planning before I finally built my gaming desktop. By that time I had left that shitty state (and country at this point), moved back abroad, and had landed a job in the PC hardware industry. My passion for playing The Witcher 2 in many ways led me to where I am now.
I got the PC built but rather than play The Witcher 2 right off the bat I, like many gamers, got distracted by other titles. So the game I had built my PC to play got pushed aside for a long time. I’ve played countless games on my PC since then. If you watch my streams then you know some of the much more advanced games I’ve played on PC such as Watch Dogs 1 & 2, Star Wars Jedi: Fallen Order, DOOM, Ghost Recon: Breakpoint, and the list goes on. I’m very happy with my PC and I’m proud of myself for the accomplishment it was to pay for and build it. But I didn’t actually end up starting The Witcher 2 till three years after it was built.
Last month I finally started The Witcher 2, and last week I finally completed it. It took almost seven years of dedication to a single goal to reach this point. There were definitely distractions and roadblocks along the way, but I got here. It might not seem like the biggest accomplishment in the world, but to me it’s important. That’s why I felt it was necessary to document this moment here.
I committed to building a PC and playing The Witcher 2 in 2013. I finished The Witcher 2 on May 11th, 2020. And now I can finally play The Witcher 3. But I’ll probably put it off for like another three years because reasons.
I’m a big fan of GOG and have been for many years. They’re actually my favorite storefront to buy PC games from. Though their selection is limited compared to Steam and other PC game distributors, I try to buy from them wherever applicable. One of the main reasons I really liked them when I first found out about them was how convenient their distribution system was. There was no launcher. You just went to their site and downloaded the entire DRM free game you purchased directly to be used offline. For me, this was always a better, more convenient option than Steam. Some years later, they released the GOG Galaxy launcher, which I was against at first because it meant having to have yet another launcher and that suddenly DRM was slowly, and sadly, becoming a thing for GOG. Make no mistake, requiring a launcher to access your games is a form of DRM. Having to login to access your games is a form of DRM. Eventually I gave in and started using GOG Galaxy. It’s good as far as launchers go, but there’s nothing particularly better about it compared to other launchers.
In the time since installing GOG Galaxy 1.0, I have had to add a number of additional game launchers to my system. Uplay, Origin, Bethesda, Epic Games Store, and so on. Every publisher has decided they need their own launcher now. I’m not one of those people who gets angry at companies for not putting their games on Steam. I understand their desire to want to make more money and spend less of it distributing their games. But like with TV streaming services today, there’s a point where there’s just too many entities offering what is essentially the same service with disjointed content. This is what first attracted me to GOG Galaxy 2.0.
GOG Galaxy 2.0 offers a simple value proposition: manage all your games in one place. It’s a launcher that allows you to see and manage all your games, including those you have on PS4 and XB1, in one organized collection. Honestly it sounded too good to be true when I first heard about it. While simple from a technological standpoint, I didn’t see how GOG, or really any company, would deliver something that actually connects all the games I have, except for those on Nintendo Switch, in one convenient location with user data and preferences from that many separate launchers and two non-PC gaming platforms. So I jumped at the chance to download the beta build as soon as I saw the announcement. I’ve now spent a fair amount of time using the launcher and thought it would be beneficial to write a review of my experiences.
The first thing I want to say is that GOG Galaxy 2.0 (GG2) absolutely delivers. I can honestly say that this is the last launcher I will ever use for my normal day to day gaming needs. That being said, there are a number of caveats which sadly still requires me to make use of other launchers to get the full spectrum of PC gaming and management services I require for all my PC gaming needs. The second thing I want to say is that this is absolutely still a beta build and while I have been using it as my go to launcher, it has a number of bugs and fixes that need to be made. It lags at times when trying to apply tags to games from the grid view. It even crashed once and made me have to restart my whole system.
In practice, GG2 is basically Facebook for your games via other game launchers. I say that intentionally with all the good and bad that comes with the Facebook platform. The way it works is that you manually connect each launcher you have installed on your system into GG2’s interface by logging into each launcher via GG2. You can connect or disconnect launchers/services you have connected at any time. To me there does seem to be a level of security risk with linking and logging into all your platforms at the same time and handing that login information to GOG. But you make the same sort of decisions with connecting your social media to your phone every day. I will also acknowledge that each launcher you connect has you login to the launcher’s official login window as opposed to a special GOG one so maybe they aren’t actually being given your login information directly. You can’t actually buy any games, other than from the GOG store, in GG2. In fact, you can’t even access stores from other launchers from within GG2. It’s strictly a platform for managing your games while replacing GOG Galaxy 1.0 for GOG related purchases and gaming.
What GG2 actually does is import your library page from each connected launcher, along with whatever play progress data it can find, and mashes all those libraries together in a single, convenient UI. The launcher separates each connected platform via convenient tabs, but the default page shows you your entire collection of games as one massive list. It can be viewed in either grid view with imported cover images for most games, or list view which shows the name and platform each game comes from. When you choose a specific launcher tab it just filters the same view to that one platform’s games.
I was quite impressed with the amount of information GG2 imported for each game from each platform. It shows all your achievements/trophies, the date they were acquired, and your play activity for each game. As a note though, it only tracks data from PS4 on for PlayStation and GOG data after a certain year, when I guess they officially started tracking play data for users. Many of my games have no data shown. It imports your friends list from each platform and shows you a comparison of how you’ve done compared to your friends in each specific game. On the subject of friends lists, there’s a feed on the right of the launcher that shows friend activity across all platforms in real time, organized by platform. In one convenient location I’m able to see which of my friends are online in Uplay, PSN, Steam, and so on all at the same time. I’m able to see what games they’re playing and what they’re accomplishing in real time with time stamps. Even though the feed isn’t interactive, it’s super convenient when trying to pick which game to play, if you’re looking for a multiplayer experience. You can also hide/show the feed with a single button on the UI. The add friends and chat functions only work for GOG friends though.
It needs to be said that GG2 is still limited in what it can actually do in reference to non-GOG games. As the other launchers aren’t actually ceding control to GOG, you can’t directly launch games from GG2. When you press play on any PC game a login window for that game’s launcher will pop up before you can actually play the game. Even if you’ve told GG2 to remember your login information for all platforms, you will still have to manually login to each game’s perspective platform every time. Launch a Steam game, you have to go through the entire Steam login process. Launch a Uplay game, you still have to go through the entire Uplay login process. What GG2 is doing is essentially creating desktop shortcuts for all your games and organizing them into a single unified and curated list for you. I will say though that there are a number of bugs, as this is a beta. For instance, not all my games showed up. Sometimes they show up and then other times they don’t. Often a specific connected account disconnects the next time I load up the application and I have to reconnect it. Thankfully though, when this happens my tagging/filtering options remain intact.
From a security standpoint, this is a good way to do this. GG2 doesn’t actually have full access or control of your other accounts and thus if it was hacked, that wouldn’t necessarily allow the hacker to have access to all your games and account information. At the same time, it’s very inconvenient. Having all your games in one place with access via a single login regardless of where you purchased the games would be amazing, and GG2 almost gets there. Having to login again for that last step to actually play your games is depressing but ultimately manageable. Especially considering the time you saved by not having to open multiple launchers to figure out which game you want to play.
As far as PlayStation and I assume XB1 titles, obviously you can’t play them from the launcher. GG2 simply says “launch this game from your console” when you click the play button for a console game. What would have been nice is at least being able to activate the app on console from your PC, but we’re not there yet apparently. It’s also important to mention that, at least for the PlayStation games since I don’t have an XB1, GG2 will only track games tied to your PSN account with a digital footprint. What this means is that all digital PS4 games, including ones you own but don’t have downloaded, will show up in your GG2 list under the PlayStation tab. But only PS4 games that you have actual progress in will show up when it comes to physical versions. I think this is because it’s using the trophy list to figure out which non-PC games you have.
I really like that GG2 shows when you own multiple versions of the same game on multiple platforms. It very clearly shows you how many versions you own, which platforms you own them on, and lets you select which version you’d like to interact with and check player data for. This is a clutch feature that I’m not sure I would have even thought about on my own. It’s not perfect at this point though as some games do show up twice in your list. I think it comes down to naming within each platform more than anything else. For instance, The TellTale Game of Thrones Season 1 game shows up twice in my list. One version on PS4 and the other on PC. But the one on PS4 is just called Game of Thrones while the one on PC is called Game of Thrones: A TellTale Series. So I think that’s why it happened. And yet it didn’t separate my three versions of Batman: Arkham Asylum, each with a slightly different name. In fact, it shows each slightly different name in the game’s main page when you click the versions owned tab. So it’s not an exact science at this point.
What is actually much more useful and convenient than the tabs is the manual tagging and filtering system. All your games on all platforms are shown together in one giant list as a default until you use the filters. GG2 gives you the ability to manually tag and filter all the games in your list in whatever way you want. You can also manually hide games from your list. The filtering system lets you use as many tags as you want concurrently to filter the list and tells you how many games using the tag(s) are currently hidden. As a bonus feature, you can click the notice and it will reveal the hidden games and hide the normally shown ones and then go back to normal when you click it again.
The filtering system is a feature I’ve had to do manually for years with folders on my PS4. It’s super convenient in GG2 and makes managing a combined list of more than 600 games much easier. I created three custom tags for filtering: Beaten, Backlog, and Trash. I tagged the games I have already completed with “Beaten”. This allowed me to filter out all the games I’ve finished when I’m trying to pick a new game to play. I tagged the games I actually would like to play from my collection with Backlog. This allows me to set apart games I would actually like to play at some point from the rest of the group, thus streamlining my decision making process. Finally, I tagged the games I would absolutely never play with Trash. My one complaint about the tagging system is that it has to be done manually one game at a time. You are unable to select and tag multiple games at once. This is a non-issue once you’ve gone through and gotten all your tagging done, but it’s hell when you go through and tag your entire collection the first time.
There are also a number of small quality of life features that aren’t necessary but make for a way better experience. For instance, when you are scrolling through the grid and you click into a game’s page there’s a back button. Pressing it will take you back to the place in the list you were at when you clicked that specific game. You can give the games star ratings. You can look at your user data measured in daily, weekly, or monthly increments. There’s a general activity feed that shows everything you’ve done such as add games, get trophies/achievements, and play sessions. There are lots of little things like that which make for a great overall launcher experience.
My one big complaint, which doesn’t surprise me and I doubt it will ever be fixed, is that you can’t connect multiple accounts of the same platform. For instance, I have 2 PSN accounts and 2 Steam accounts. This is because I live in Asia but for the most part purchase games in American digital stores. Sometimes I’m forced to purchase a game through my Asian account(s) for various reasons. GG2 doesn’t account for this though so all my secondary account games are not shown in my collection. This is a problem easily fixed that will most likely never get added.
Overall, I really like GOG Galaxy 2.0. It’s not a finished service yet, but as far as launchers are concerned, it’s the most convenient game organization and management tool I’ve ever seen. I wish I could connect my Switch account to it too. Even people who don’t use GOG can find a use for this if they’re buying their games on more than one launcher/platform. The organizational tools available make it a must for anyone with a large selection of games. I look forward to using the launch version of the software.
Last week I had the opportunity to participate in the closed beta for RAD by Double Fine Productions. The first time I heard about this game was when it was teased for the Nintendo Switch in the Nindies Showcase back in March. But this closed beta was actually for PC. I wanted to give my thoughts on this current build of the game for those thinking about buying it.
The first thing I’ll say about RAD is that if I was going to buy it I would certainly choose the Nintendo Switch version, assuming they don’t add an online multiplayer component, which I actually really think they should for this particular game. The game is much more suited to a controller and mobile play than desktop gaming. It’s a roguelike dungeon crawler with perma-death mechanics. It actually reminded me a lot of Let it Die. I tried it with both a Dualshock 4 and a Wii U Pro controller. I have to say that I liked the Wii U Pro a lot better than the Dualshock 4 for this game, but a big part of that was because I couldn’t remap the buttons. The game says you can remap the buttons but the feature wouldn’t work for me with either of the two controllers I tried. While this didn’t make the game unplayable, it certainly was inconvenient. The default button map isn’t necessarily bad. It’s just not ideal for me. Being able to remap the buttons on my controller would improve my gameplay performance considerably, in my opinion. To clarify, I was able to remap my primary mutations between three specified buttons in game, but not remap the entire control scheme like I wanted to.
The main selling point of RAD’s gameplay is the mutation, or “RAD”, system. Each time you play the game you start as a normal kid with limited abilities. All you can do is walk around, swing a weapon, the default being a baseball bat, jump, ground pound from the air, and dodge roll. That’s the basic essence of the game. You move through procedurally generated areas that work just like floors in any roguelike swinging a bat until you die. I say procedurally generated because that’s what’s being reported, but I’d be lying if I said I didn’t see a lot of repeated areas. Not entire floor layout, but specific sections of maps seemed to be repeats. Maybe it’s procedurally generating a set of fixed islands, as all the levels are made up of disconnected island structures that are reached via bridges and warp points.
Your goal is to survive as long as you can and get past as many floors as possible, with each floor ending with a boss fight of some sort. There is an endpoint that you can reach, but I’m not sure if it’s a fixed or random number of stages that have to be beaten to reach it. I only reached the end once during the beta. It showed me one of multiple endings. You can also find and consume items to refill health or boost performance. Pretty standard roguelike fare. What makes the gameplay interesting is the leveling system. You do not level up in the traditional way where you get more HP and stronger attacks. Instead you gain mutations that grant you special abilities. These can be anything. I don’t for sure know the total number of possible mutations but according to the compendium in the game’s pause screen there are a total of 87.
Primary mutations are active abilities that you use. Secondary mutations are passive buffs. Both are key to surviving. Your XP bar fills as you kill enemies. Every time it fills, you get another primary mutation. You can have a maximum of three primary mutations at one time. Each primary mutation is linked to a single button press. Once you’ve acquired three primary mutations filling up the XP bar causes them to develop further. The gain additional characteristics that enhance their usefulness. For instance, there’s a mutation that gives you ranged physical attack. When you level it up again the range increases by a considerable amount. Each time you level up after acquiring three primary mutations, a single mutation develops at a time going in order from left to right. Meaning that if your first mutation is at+1 and your second and third are at +0 then your second mutation will develop to +1 the next time you fill the XP bar again.
These mutations can be anything. I was very surprised at the variety of different capabilities players can get, and according to the compendium I’ve barely scratched the surface. Some of the things I gained the ability to do were short term flight, spawn mutant clone babies to fight enemies for me, throw my arm like a boomerang, enslave enemies for short periods of time, and protrude spikes from my body causing a lot of damage. The mutations were interesting, highly different from one another, and for the most part, easy to use. According to the compendium, there appears to be 56 total primary mutations. Though there are quite a few mutations available, I’ve already seen mutations repeated multiple times, having not yet gotten them all. In fact, there was one time where I got two of the same three mutations that I had gotten the round right before. There are also special landmarks in the game that replace one of your primary mutations with a random new one. You do not have to interact with these if you don’t want to and you can’t choose which of your mutations is changed.
Secondary mutations may actually be more important than primary ones. These are not acquired through filling the XP bar. You get these by finding special mutation landmarks that automatically grant you an additional secondary mutation. The most I got at one time was eight, with all being constantly active for the duration of the round. I don’t know what the maximum number of active secondary mutations is or if there even is one. These buffs are just as varied as the primary mutations. Some of the ones I got were immunity to fire, longer range projectile attacks, an extra shield against toxic attacks, and increased movement speed. If you can find enough secondary mutations and manage to get the right primary mutations, all of which appear to be random, you can get some really strong builds. There appears to be 31 secondary mutations. These I did see repeat between playthroughs and they weren’t always useful or at least not at the time they were acquired. For instance, there’s a secondary mutation for improved range attacks. But often I’d get this when I didn’t have any ranged attack mutations active so it was a useless buff.
What’s very interesting is the fact that some secondary mutations are negative. I got one that made it so you couldn’t see where you’ve already been on the map. While this was annoying in practical terms, I like the fact that you can get negative mutations. Plot wise that makes perfect sense because it’s ridiculous to think that all mutations would be beneficial. While mutations of both types are meant to be considered and used individually, it’s the art of using them together that makes for truly effective play. Without a doubt the best run I’ve had was only possible because I was able to use my mutations as a collective. This includes both primary and secondary mutations. I had one primary mutation that gave me drastically higher and longer jumps, one that gave me a charge attack, and one that extended spike out of my body in mulitple directions for massive damage. By using the charge attack while jumping I was able to jump over groups of enemies. While directly above enemies I would use the spike mutation and damage them as I sailed right past them, inflicting damage and quickly escaping the line of fire. I was able to use this on pretty much ever type of enemy including bosses. When coupled with the various secondary mutations I had such as ground fire immunity, toxic pool immunity, and faster movement, I was able to inflict continuous combos and avoid pretty much all damage in most cases.
The gameplay is very smooth. While I wanted to remap the controls, they were fairly accessible and easy to understand. It’s really just learning to use the mutations effectively that has any sort of learning curve, and it’s not a big one. While RAD is perma-death for mutations, it does have a few long term unlockable upgrades. Your main weapon can be changed every time you go back to the base, which you can do between levels and at the beginning of every new round. New weapons can be unlocked as a reward for certain achievements. I was only able to unlock two additional weapons so far but both were noticeably stronger than the previous one I was using. You can also unlock quirks. These are permanent buffs that you equip from the character selection screen at the beginning of each round. You can only equip one at a time. The only one I’ve unlocked so far grants a fire shield for one of your hearts. Another important long term mechanic is money. Money can be used to purchase a variety of things each round such as health restoring items, keys, and access to special mutations. These items disappear when you die. But you can bank money between levels so that if you don’t want to spend it at that moment you can bank it and then access it again later at the base. Vendors appear all over the levels but they all sell different things from round to round and don’t appear in the same locations.
There are quite a few items in this game with many different uses. This is where the luck component of the game comes in. In my best round I just happened to find multiple instant mutation items in the first level. This allowed me to develop a full set of attacks much earlier than you normally can. This increased combat ability so early in the round allowed me to accomplish so much more than I had in previous rounds. Up until that round I’d never beaten one of the main bosses. In that round I easily brought down two before getting tired and saving the game to continue later.
I’d say the gameplay works rather well overall, but I did encounter a number of bugs. While it’s not a genre I tend to favor, I did find RAD enjoyable in small doses. Thankfully you can save and continue games later. Rounds can be long if you can survive, but they can also be short. My longest round so far lasted more than two hours and was the only one where I reached an ending. I encountered two serious bugs that affected gameplay. The first was that I wasn’t able to claim the heart extension reward after the second major boss I defeated. While this wasn’t game breaking, it was very annoying and got me really angry. Like with Zelda games, defeating a boss fight nets you a heart extension. The place where it dropped when I beat the second boss was under his corpse, which never disappeared unlike with previous enemies, including the first boss I defeated. The game would not let me pick it up no matter how hard I tried. The second was that the game completely crashed on me once. I don’t know what caused it, but thankfully the game let me continue on the stage where the game crashed. I assume it’s an autosave feature.
Visually, RAD is about what I’d expect from a top down roguelike. The camera is above and at a slight angle from the player. It’s about the same view as that in Bastion or Hyper Light Drifter. While it’s certainly not AAA quality graphics, it’s fairly decent looking for a roguelike game. It’s not trying to look realistic and thus uses a very animated style but with a large amount of detail. Lots of little things come together to make something fun and child friendly, but certainly not childish. The game is set in a post-apocalyptic dystopia filled with debris from multiple past civilizations, a number of highly differentiated enemies, and lots of plant fauna. But the real depth is in the small details. The rust on burned out cars. Tufts of grass scattered throughout a sandy wasteland or cracked roads and abandoned construction zones. Wooden planks placed over gaps as makeshift bridges. It’s these little things that set the tone of the world and they do an excellent job.
What I really appreciated most about the graphics was the mutations. As your character mutates, his/her physical form can change drastically in a plethora of ways. This is important for the tone and gameplay. Your physical appearance changes based on the mutations you unlock, ultimately connecting the player with each specific round on a more personal level than in many other roguelikes I’ve played. Enemies too come in mutated forms. You can find more than one version of an enemy as you progress forward. Obvious details like size and color differ between different versions of enemies. But also finer details like spikes can differ between different versions of the same creature. I also think it’s important to note that I never made it past the third level so I actually expect a great deal more in variation between enemies and types of enemies than I was able to access during the beta. But to be fair, the compendium only lists a total of 38 enemies, of which I’ve already found 17, and seven bosses, of which I’ve only faced one so far. So maybe there’s not as much variation as I hope as far as enemies are concerned.
The HUD is simple, intuitive, and spacious. Across the top of the screen you will find the XP bar with HP, in the form of sectioned hearts, directly under it on the left side of the screen. On the right side of the screen under the XP bar, you will find the current level map and your counts for money and keys. I’m really happy with the map. It’s simple yet effective. It shows the nearby surrounding area and moves around the map as you do. But what works best with this map is how it tracks your past movements. The map is dark gray by default. As you walk in any direction, light gray is added to the map, exemplifying your specific movements. This makes keeping track of how much of the current level, or even just current room, you’ve already explored so much easier to manage and cuts the time to find the next place to go down considerably. The map also shows any items currently waiting to be picked up, since they never disappear, which is a good thing. You can only carry one item at a time as a default and then at least one more as a benefit from a secondary mutation. Currently carried items are shown below the HP meter. The bottom of the screen shows your mutations with primary mutations being in the bottom left and secondary mutations being in the bottom middle. I also really like that the HUD shows you which button to push for each mutation and items at all times without looking cluttered or ugly.
While I’d never say that RAD is worth buying just because of the graphics, they are absolutely not a hindrance. Double Fine has certainly made better looking games in the past, but this project looks exactly the way it should for what it is.
The audio is solid in this game. It’s clear and quite detailed. Steps make a sound that changes based on the material you’re walking on for example. All effects are laid onto the gameplay perfectly. There’s no lag between the audio and the action. And each action has a matching effect. That includes the abilities gained from mutations. The overall mix of sound is great at default with everything set to 100. But you can control master volume, music volume, sound effects volume, voice volume, and ambient volume all separately and customize their mix levels from 1 to 100. I don’t know if I’ve played another game with five separate audio channels available to the player for mix customization. The one thing I did notice was that sometimes the music stops playing during normal activity. I don’t know if this was a bug or intentional, but I’ve seen it in numerous other games so I don’t assume it wasn’t supposed to happen.
RAD actually does have quite a bit of writing, both plot and dialog wise, as well as a ton of narrative commentary. The beta gives a lot of plot information right from the start. In my experience, roguelikes can go one of two ways when it comes to writing. Sometimes the plot is super important but delivered subtly once you’ve seen the opening sequence. Other times there’s a really flashy opening that makes you think the game is plot heavy but really it’s just for foundational reasons and then basically disappears once the game actually starts. I want to say this is the former, but really it’s a combination of both. This is kind of the issue with roguelikes though. When you can’t continue from where you died but the plot is contingent on getting farther into the game, there’s a good chance the player may never reach the end of the plot. Thankfully I was able to see one of the nine endings, but honestly the only plot given is the opening and the post final boss closing. Everything in between is just lore and world building, which is fine but it’s not necessarily accurate to call this a plot focused game.
The game starts off by establishing that the world has suffered not one but two apocalypses and that you’re one of the few remaining survivors. As with most post-apocalyptic dungeon crawlers, you’re tasked with journeying into the wastelands for resources to aid your community. That’s the general plot, but it’s not lazily done. The game starts off with an opening cutscene to establish the setting, as well as an additional cutscene to specifically explain how you were chosen and how things work/will work in the game, as well as why. As you make your way through levels, you find artifacts that are accompanied by narrators, both a male and female used randomly, giving more details about the history of the world. In this way you get a lot of story, but not much development of the current plot. The game doesn’t do much in the way of discussing the future other than the initial establishing cutscene and the ending(s). The game’s compendium says eight possible endings are available but when I got one it said 1/9. At this point I can’t say for sure one way or the other. I don’t know how each of the endings compare, but the ending I got was kind of inconclusive. I was able to reach the ending after defeating three major bosses.
RAD has a lot of lore and written info in the compendium. This guidebook expands as you find and unlock more things. It gives you the ability to read about pretty much everything in the game including mutations, enemies, weapons, artifacts, and the endings you’ve seen. It will even replay narrations for you. It’s nice to see this level of documentation provided for interested players in a roguelike of this kind.
There are also NPCs that talk to you. Many can be found in the base. Some of them say things that actually affect the game, but mostly it’s just décor. Most of them are scattered throughout the levels though. Some of these won’t talk to you, but many will. There are shop keepers, treasure hunters looking after chests, and random communities just hanging out. I found a hidden community of mutants just trying to avoid being ridiculed by normal looking people. I also found a cult waiting for their god to send them message through a projector screen hooked to an antenna. Some of the NPCs will even ask you to do small tasks that net money.
Some of the best writing in the game is the narrative commentary. The male narrator comments on what’s happening in the game sparingly. When you get a new mutation, he says it in a celebratory Halo style “Double Kill” voice. But that’s just one of the moments when commentary occurs. My favorite piece of commentary was when I switched to the stronger weapon I unlocked. The narrator screamed out “Chicken shit!” and it was subtitled on screen. This made me laugh really hard. Overall, the writing I witnessed was fairly good for a roguelike. But I’d have to reach later levels before I can accurately quantify its value and impact on the gameplay experience as a whole.
As this is a roguelike, it’s inherently built for replay. But there are also a number of features that add legitimate replay value. As mentioned, there are several mutations, all of which have been quite interesting to try out so far. There’s also the fact that the mix of mutations you get is always different from previous plays. There are also a lot of things to unlock. Additional mutations, additional playable characters, and additional weapons are all available to unlock. There seems to be a total of eight playable characters. In the beta I’ve only managed to unlock four so far. I have yet to notice any performance based differences between them. There appears to be six unlockable weapons but I’ve only gotten one of them at this point. There are also 37 achievements for RAD on Steam and eight possible endings. The game also has daily challenges with special completion conditions tied to an online leaderboard. There’s a fair amount of stuff to do and reasons to keep playing the game. And with the procedurally generated levels, it will take quite a while before you get bored with the levels. I don’t know what the release price will be yet but if they manage to keep it to no more than $15 then I think RAD could absolutely be considered worth buying.
As this is a beta review, feedback to the developer is just as important as presenting the project to gamers considering buying the final release version. So let me clearly define what I’d like to see changed/added in the final version of RAD.
1. Continue by Stage
As this is a procedurally generated roguelike dungeon crawler, perma-death is kind of a given for the genre. Personally I’ve never liked that. I understand it, but I think it’s unnecessary. The important difference here though is that when you play a game like Overture, there’s no story. So it doesn’t really matter if you have to start over every time because you’re not really building towards anything. But when a game has a plot, which RAD does, albeit a small one, then being able to finish that story needs to be at least in the realm of possibility for a majority of normal players. Now I only had to clear like six levels to reach an ending. But that’s still six levels that not everyone will be able to beat consecutively. My point is that there needs to be an efficient way for bottom to mid-tier players to reach all the endings without having to take the time to get Dark Souls good. For me, the simplest solution is that you should be able to continue a new round at the farthest stage you’ve reached or at least at milestone stages such as after main bosses.
2. Button Mapping for Controllers
As with all games in 2019, you should be able to customize the button map to suit your needs on any controller you choose to play with. This should be the standard for any game released today. As I said, RAD appears to have this function, but it wasn’t working properly for me in the beta on either a DualShock 4 or a Wii U Pro Controller.
3. Primary Mutations Replay
The game appears to have 56 primary mutations. I’ve unlocked just a small sample of those so far. Some of them I really liked and others not so much. I found all of them to be quite creative though. At some point, the player should be able to gain some control over the mutations they’re getting in a round. Like once you’ve unlocked so many mutations it should give you the ability to start with a certain mutation of your choice or at least prioritize which ones you get. The randomness is part of the game’s shtick and that’s fine but once the player has put in enough hours to unlock all the mutations, they’ll then have a number of them they’ll want to avoid and others they prefer. And since the game requires you to start from scratch every time, getting to the ending will require you to get the right set of mutations to suit your style of play. But at random that won’t happen very often. Granting some level of control to the player would make a huge difference both for progress and enjoyment. This should not be made available to the player early on in the game though.
4. Cooperative Play
It’s very rare that I ask for multiplayer in a game. But RAD just makes sense to have a coop mode. Whether it’s local or online, I think this game would be so much fun to play with other people. In a way it kind of works like ToeJam & Earl, which absolutely doesn’t require other players to enjoy, but is enhanced by the ability to do so. As I was playing it, I was reminded a lot of games like Gauntlet and Metal Slug. The ability to play this cooperatively with friends could be really fun.
5. Lock-On Feature
This is your standard roguelike design where you’re looking at the game from a top down third person view. Enemies can come at you from any direction and you often face many at once. Currently you just attack in a direction by either looking in that direction for close range attacks and/or using the right stick to aim in that direction for ranged attacks. As with any multiple enemy scenario, prioritizing enemies in a specific order is key. But all this has to be done manually in RAD because you can’t lock on to enemies. There should be some way to lock on to a specific enemy to help you keep track of them in group scenarios and make aiming ranged attacks more effective.
6. Full Store in Base
Within the levels there are stores scattered about that carry random items. This system works fine. But the store in the base, which you can potentially visit every time you complete a level, is trash. When you first start the game, it only sells one lousy key which you don’t even really need because you can find them or buy them from most vendors in the levels. The base store should carry all available items in the game. Or at least the ones you’ve already found during play. There are key items that can totally change the outcome, such as an extra life item that I’ve only seen in one store and couldn’t afford at the time. The base store should carry everything, or at least more than just a single, fairly useless key. The game does imply that the store will grow as certain conditions are met but how and to what extent I haven’t figured out yet. By the time I finished playing the beta, two additional items were added to the store. It seems to me that you expand the store by making purchases.
7. Dynamic Item Consumption
You can hold one item at a time as a default and gain the ability to hold an additional item with a secondary mutation. But you can’t control the order in which you use those items. You have to consume the first item you picked up before you can consume the second one. This is super inconvenient and comes up very often because the second item slot mutation comes up a decent amount of the time. Different items do different things, as per usual. The most common difference is the amount of health restored by healing items. Some items restore a full heart while others restore more than that. So if you have an item that restores one heart in your first slot, an item that restores two hearts in your second slot, and you’re missing two hearts from your HP you have to waste the first item to fully restore your health. Because you wouldn’t be able to use the item that restore two hearts until you’ve used the item that only restores one. Now yes you could just wait until you’ve lost that heart again, but there’s a delay to use items when not standing still so if you need to restore health during combat this could be the death of you. You should be able to use whichever item you’re carrying in whatever order you want. Even a rotate slots system would be better than the current system.
In general, I was very happy with this beta. I found RAD to be much more enjoyable than I thought I would after seeing the announcement trailer. It’s not the next big thing or Cuphead class indie, but it is a fun little roguelike that actually has some long term goals and reasons to keep playing. There seems to be an actual plot to discover, which matters to players like me. The gameplay is accessible but constantly changing based on the mutations you unlock in a particular round. While it wasn’t a perfect game, this beta build is pretty far along. While I did have a few issues it ran well for the most part. No lagging or other game breaking problems other than the one crash which cost me just a few minutes because I was able to continue the round from the main menu when I reloaded the game. The game has a few bugs, as I mentioned, and can still be improved but it already works quite well and it’s fun to play. I need to see a release price before I can make a final judgement but I could see RAD doing well for what it’s trying to be.
When I was a young lad, back before the age of internet, always online, and microtransactions, we played many great games that made no sense but were tons of fun and super addictive in a healthy way. I can’t tell you why fat, Italian plumbers jumped on mushrooms or why blue hedgehogs felt compelled to collect golden rings, but I can tell you that the number of mushrooms I squashed and the number of rings I collected is much higher than the number of Fortnite bucks I’ve earned. One of my favorite games from my childhood was the original ToeJam & Earl (1991) for the Sega Genesis.
If I’m honest, I didn’t really understand the game as a kid. It was the original roguelike before that was an established genre. I played it often but never really knew what I was doing. I also don’t remember watching the opening movie so I don’t think I even knew what the premise of the game was back then. What I do remember is that it was one of the games that my father and uncles used to love to play and we all would play it together. I also loved the funky music and the fact that a character was named ToeJam, because that was and still is funny to me for some reason. So when I think about ToeJam & Earl, it’s always with great fondness. I eventually did go back and play the original game years later, actually watched the cutscenes, and completed it. I also completed the ToeJam & Earl III: Mission to Earth (2002) for the XBOX. I tried ToeJam & Earl in Panic on Funkotron (1993) right after completing the first game, but I really didn’t like the different gameplay style. In any case, I have always cared a great deal about this franchise. That’s why I was ecstatic when I heard that someone was making a new installment after all these years. It is an honor and a privilege to be able to play a new ToeJam & Earl game in 2019. I kind of wish I had gotten the Switch version so I could round up my uncles and father and play it as a family once again.
ToeJam & Earl: Back in the Groove! is both a sequel and a remake of the original game. It is important to understand this going in because it informs a number of design choices that people who aren’t familiar with the original game might not like or understand. As I said previously, it’s a roguelike but it has a number of conventions specific to this franchise and not much else. It’s also important to understand this in the context of judging it. If you’re looking at it strictly as a game being released in 2019, then it’s obviously not going to stand up to most if any top tier games being released today. Or at least that would be the case if we didn’t keep getting dumpster fire AAA releases like Fallout 76 and Anthem. But if we look at this in the context of recreating a game from 1991, then it’s one of the most true to form remakes I’ve ever seen not based on a game from the modern era. That’s the context within which I played and ultimately chose to review this game.
Assuming you have played or at least looked up some footage from the original game before starting Groove!, the first thing you notice as soon as the opening cutscene starts is that the graphics are vastly improved but true to the original style. It’s like night and day even though they’re both flat environments pretending to have three dimensional qualities. This new game definitely has a bit more depth to it with things like hills and the ability to clearly see the previous level floating beneath the one you’re currently on, but it’s still the same 2D style used in the first game. The vibrant colors stand out so much in this game. Compared to original, it’s like you were looking at a dirty screen and someone finally cleaned it off. Everything is brighter and way more detailed, including ToeJam and Earl themselves. Plus there are a lot of display options. You can play full screen or windowed play in 18 different resolutions.
There is a literal hoard of earthlings in this game to interact with, both evil and good. The movement is fluid and diverse for all of them. The playable characters move very smoothly as well. There’s no skipping or lost frame rate issues, even when playing with multiple players on or offline. Not only is the movement smooth, but it’s also well animated. What I like most about the game’s graphics is the amount of variety. 68 earthlings, 67 different types of presents, 25 stages with random layouts, nine playable characters, and even multiple environments from level to level. Many of these assets are interactive as well. Even the trees and bushes can be directly interacted with. And this is all randomly generated depending on which mode you’re playing. You do see some repetitive stuff such as enemy assets reskinned in different colors in later stages. But overall there’s a lot going on in Groove! and the game handles it perfectly.
The HUD is simple but effective. You have the level counter on the top center of the screen, which also notifies the player when a piece of the spaceship is on that level. In the bottom right you have the mini-map. With the rest of the HUD being in the bottom left, showing the character’s avatar, the XP bar, the HP bar, and the power up meter. In local coop mode, the HUD for the second player appears in the top left corner of the screen. When playing with four players, the HUDs are distributed to each corner of the screen when playing in a single screen and to the top left of each box when in split screen mode. What’s really nice is you can turn the map and HUD off if you want an extra challenge. You can also make the map larger at any time by holding the map button if you need to examine it in finer detail. But really the mini-map, assuming you have a large enough screen like I do on my PC, is quite adequate. It shows you locations for special things, the entire grid of the current level you’re on, and environmental landmarks such as desert or water. I never once needed to use the enlarge map function during play.
The menus are done very nicely too. A much better, clearer font than was used in the original game. The manual, which is quite comprehensive, is broken up into clear sections with small blocks of text, making reading through the whole thing very easy to do. It’s not an overwhelmingly graphic intense game. It’s more like an art piece that combines the simplicity of the past with some of the benefits of modern graphic development to make something totally new and beautiful but still definitively retro in nature. You’re not getting the bare bones Sega Genesis graphics but you’re also not going too far and getting something odd looking like ToeJam & Earl III. Ultimately I think it’s a wonderful looking game that delivered exactly what it needed to visually.
The first thing I want to say about the gameplay is that it’s buttery smooth. I was surprised at how smooth the gameplay actually is. Even when using a controller, a DualShock 4 in my case, the input works perfectly. There’s no lag. No input issues. This game works. I was very happy with how it instantly accepted my controller and gave me no issues. Now the game will not revert back to keyboard automatically if your controller gets disconnected during play. My controller ran out of battery in the middle of a game while running away from a group of enemies and I couldn’t pick up with the keyboard. My guy just stopped moving until I got the controller plugged in. The game doesn’t even pause when this happens. And since you spawn in the same spot where you died, I just kept dying until I got the controller working again. A bit of an oversight on the developer’s part, but nothing game breaking and easily fixed with a patch. HumaNature Studios is also really responsive on Twitter and is actively seeking out and listening to feedback for future patches, so this issue may very well be fixed in the near future.
The gameplay is quite simple in practice. You have to traverse 25 levels in search of 10 spaceship pieces, which are scattered randomly throughout the levels. The 10th piece is always on level 25, as stated in the manual. You traverse these levels by walking around each one trying to find an elevator. You can walk normally or sneak to avoid being seen by bad earthlings. Different presents can affect your movement as well. You also have the ability to swim through water but you can only swim for an amount of time corresponding to your current health. Meaning the larger your life bar, the longer you can swim when you’re at full health. You always start a new game with three lives but can earn more as rewards and through presents along the way. While traversing these levels you can collect money, presents, and food which also all incurs XP. Money is used to pay for services from good earthlings and to use certain items like parking meters. Presents, of which there are 67 different types, can do all sorts of things, both good and bad. They can do things like refill health, give you special powers like flight and better jumping, or reveal parts of the map. They can hurt you as well by doing things like dropping all your items, damaging you, and lowering your rank. Some presents are broken when you find them and have a chance of exploding when opened. You can also drop presents you don’t want.
You can only carry a limited number of presents at a time based on the character you choose and your current rank. Food can either restore or remove life. Rotten food, which always looks like the same types of food, hurts you while all other food helps you. Different types of food give or take different amounts of health. You can also gain XP. XP is used to increase your rank. Increasing your rank increases your stats like the size of your life bar, walking speed, and number of presents you can carry. There are a total of six stats with each character having their own strengths and weaknesses. You always start at the bottom rank at the beginning of a new game and can work your way up 15 ranks. You don’t level up automatically. Once you’ve collected enough XP, which can be gotten in many different ways, you then have to find a “wiseman” and he will increase your rank free of charge. You don’t have to increase your rank to beat the game. As soon as you find all 10 pieces of the spaceship you’ve won.
The gameplay is very simple to understand but that doesn’t make it easy. The many different enemy earthlings can be quite tricky and they often congregate in groups. Some will chase you or hit you with status effects like freezing you in place. Some will even drop you down to lower levels. Sometimes you’ll intentionally have to jump off levels to get away from enemies, causing you to have to back track and make your way up again. The map for each level always starts off blind and then expands as you explore the level you’re on. Presents are important. It’s necessary to use them often but strategically. The presents do many different things, but many of them are not identified until you’ve used them once. This means every time you find a new type of present you risk it being a bad present if you haven’t already used it previously to identify it. There is also a good earthling you can pay money to identify presents for you. I’m not 100% sure if this is true, but it seems to me that presents you’ve identified in past games will be identified in all future games. But there are also enemies and bad presents that remove your present labels and I’m not sure if this carries over to future games. It’s definitely something that I need to confirm with more research. It could also very well be completely random from game to game.
The gameplay is always the same but there are three difficulties that can be played across three modes. The “Fixed World” mode has the map stay relatively the same every game. This is a good mode to learn how to play the game once you’ve finished the tutorial. But the real challenge is when you hit “Random World” mode. This is the same gameplay but the layout of the levels changes every time. This is the roguelike experience that was spawned by the original game. There is also “Random World Hard” mode. At the start you only have Fixed World mode and then you have to reach level 10 to unlock Random World mode. But you don’t unlock Random World Hard mode until you complete a Random World run. The Hard mode is harder but not by a huge amount, in my opinion. There aren’t necessarily more enemies but they do more damage. There are also fewer presents around. Or at least that was my experience playing it. I played it in coop with a total of three players so maybe that affected the experience as well. We did manage to beat it though. You also have to take into account difficulty level and character. You can actually change your difficulty mid game whenever you want from the pause menu, but you can’t unlock prizes and achievements unless you’re in normal mode, which is considered the hardest of the three modes. Because of this, I never took the time to play in either of the two easier modes because that would be a complete waste of time. Each of the nine playable characters has their own stats, so it’s important to understand all six stats and choose the character that best fits your play style.
There are also two mini-games that you play within the game as special occurrences. The Hyperfunk Zone is kind of like a Sonic the Hedgehog style special zone. It’s a 2D side scroller where you continuously run from left to right collecting items until you run out of time or hit an exit portal. There is an ending, and an achievement for reaching it, but it’s quite a ways forward so it’s hard to achieve. It’s fairly simple to play and only requires you to press one button to dodge past exit portals. If you time it wrong then you leave the Hyperfunk Zone before reaching the end. You can also run out of time but picking up clocks extends your time in the zone. When you enter the Hyperfunk zone during coop play, all players are transported there regardless of where they are on the map. Each player plays independently but the running pace is the same. That means if you have two players and one gets out the other player can continue and the player who is out has to wait for all other players to finish.
The second mini-game is kind of like Guitar Hero but with buttons. You have to press corresponding buttons to a beat as they move down the screen. It works OK but the timing isn’t as clear as Guitar Hero and the feedback isn’t there with vibrations or anything so you tend to be too early or late sometimes because your eyes don’t agree with the beat, even though it looks like you were on time. This mini-game is played solo directly on the map so playing doesn’t affect other players during coop.
Groove! supports both local and online cooperative play. When playing in coop mode, only one person has to be in normal difficulty to unlock prizes at the end. This is really convenient for when playing with younger children or amateur gamers. You can enjoy the game with them while allowing them to play at an easier difficulty without losing out on prizes. Local coop supports up to four players. Each HUD is added to another corner of the screen and the screen splits for local coop so having more than four players would get way too cluttered. Online coop, which doesn’t split the screen, also supports up to four players. You don’t actually see the HUDs for other players in online coop so technically there’s no reason it couldn’t support more, but four is the maximum and honestly that’s enough for the size and scope of this game.
I really like the way the coop works because it’s not limiting like most coop games. You are playing the same game on the same map, but you can work fairly independently of each other. You have your own lives and life bars, money, and presents. But present effects are shared. Or at least some of them are like invisibility. It didn’t seem like physical enhancement presents are shared like wings or rocket boots. When one player runs out of lives they become a ghost and can take a life from another player if that other player agrees to give one up. All players show up on the mini-map so you know where you are in proximity to each other. But if one of you falls down to the previous level the other player isn’t affected. The one limitation is that players can only progress to unvisited floors together. This means that if one player reaches the elevator to the next floor first then they have to wait for the other player(s) before they can progress to the next level, even if that player has fallen down to a previous level. Thankfully though, you are immune from all damage when inside the elevator so you don’t have to worry about dying while waiting for other players to get there. Even the fake elevators give you immunity when waiting for other players in them because they don’t reveal themselves to be fake until all players have entered them.
During local coop, the game will instantly switch between shared and split screens depending on how close players are to each other. It will also split the screen if one of the players accesses the present or pause menu. The other players are unaffected. The screen splitting is dynamic so it constantly changes back and forth. It’s a horizontal split for two players, a horizontal and a vertical split for three players, and a 2×2 split for four players, all of which work fine for this gameplay. You do need a large enough monitor to play comfortably with that many players though. I can’t imagine trying to play this with four player split screen on the Switch handheld mode screen. The split can be set to dynamic or fixed. Dynamic means the screen will split based on location. The player farthest north on the map will inhabit the top screen in the event of a split. Fixed means the same player, player one, will always be on the top, or top left in the case of four players, whenever the game splits the screen regardless of your specific location on the map. This can be toggled in the pause menu at any time. There is a teleport option in coop mode that allows a player to join the rest of the group instantly but I haven’t figured out exactly what prompts this yet. I think it’s when all but one character is in the elevator waiting to move on to the next level, but I couldn’t recreate this in all situations.
During coop there is a quick chat function which is fairly easy to use. It’s all preloaded text based comments that appear over the speaking character’s head. These can be used, whether online or offline, to give other players information like where to go or that you’re waiting for them. There is also a verbal cue to tell the other player(s) to look, but that’s only in local coop. In online coop, when characters are near each other, you can see the message appear over the speaking character’s head. When not near each other the message shows up at the bottom of the screen with the avatar of the character/player speaking. In local coop the quick chat message always appears over the speaking character’s head, requiring other players to look at that player’s screen if they’re not near each other and thus in shared screen view.
The drop in and out nature of the gameplay works really well for casual and serious play. Even the online allows people to drop in and out at a whim without ending the game. You can create private and public lobbies and jump into and out of games of any difficulty, including those you haven’t unlocked yet, easily. It will also let you continue if you jump into a game and then the original host leaves for whatever reason. The only issue I experienced with the online was once I joined a game and got all the way to the end but then it disconnected me before I got to claim the prizes. I’m also not entirely sure if players can boot you or not when you join their games so that may be what happened. Normally when you get to the end of an online game, even when you joined late, you get to claim the prizes as you normally would. You do not however, unlock Random World Hard mode by completing it online. You just get the achievement and the prizes but it remains locked in your game until you complete the Random World mode first.
Overall, the gameplay is quite good. There are a few minor issues that one might consider bugs, but I’ve yet to witness anything game breaking. The gameplay is challenging but fair. There are definitely some balance issues from character to character though. ToeJam is way superior to Earl for example because of his much faster movement speed. There is also some sort of issue I can’t quite figure out where certain player combinations are forced in coop. Like when you try to join a game certain characters will be locked other than the character the host is already using. I’m not sure why this is. It may just be a bug because in local coop I can select any combination of characters I want including both retro and modern ToeJam & Earl at the same time. In any case, it’s a really fun game and I look forward to spending more time with it.
The greatest compliment I can give to Groove! in terms of writing is that it has any at all. Most roguelikes have little to no story for some reason. This game has a full story as well as in game dialog. It’s not a fully immersive, plot focused game by any means. But the fact that HumaNature Studios took the time to actually flesh out an entire narrative is a treat in and of itself. It’s a simple story that’s comprised of only two simple cutscenes and some in game dialog, but it still bookends the gameplay experience in a way that offers the player a reason to start and closure at the end. Really that’s all a game like this needs. The in game dialog is funny and there’s quite a lot of it. It takes place on the elevator rides between levels as well as during gameplay. It changes depending on how many players are in the game and who they are. Even with only one player there is still elevator dialog. It’s mostly funny comments about the game itself. Speech bubbles are also used during gameplay to tell the player things like when you’ve reached your maximum number of presents. At the same time that this happens, audible speech is used by the characters to clue you in when a speech bubble appears. There’s not much in the game as far as writing is concerned, but I’m happy with what was included. As a side note, this game has possibly the most comprehensive in game manual I’ve seen for any indie game ever. It’s split into 12 sections and has a ton of information. Taking the time to read through all of it before actually playing will help you considerably. It’s also important to note that the game can be played in English, Spanish, French, Italian, German, and/or Portuguese.
As this is a ToeJam & Earl game, the music is not only important but top shelf. By my count, there are 32 songs in the game. You can actually access all of these in the credits whenever you want. The music is of course quite funky, as it should be. The sound effects and voice acting are good too. Very responsive with no lag and high quality. I was also very happy with the sound mixing. The sound effects are not drowned out by the music. You can set the volume levels of the music and effects separately in increments of 5 from 0 to 100. I keep them both at 100 and it sounds fine. I really don’t have any complaints about the sound in this game and I don’t think anything else needs to be said about it. It does not disappoint.
There’s a surprisingly large amount of replay value in this game. And not just because it has random world generation and three difficulty levels. That plays a factor, as does the fact that there are nine playable characters, three of which have to be unlocked. But really there is just a ton of content to unlock and interact with. Groove! has 49 achievements and 41 unlockable rewards, each having a different effect on the gameplay. Plus you can play with other people both on and offline. There’s just a lot to do if you really want to get your money’s worth. A single game takes about one to two hours maximum depending on the difficulty you’re playing at and your pace. At $20 I think the price is OK but not amazing. You definitely can get 20 hours out of this game if you want to do everything. But if you’re just playing to complete each difficulty once then it’s a four – six hour game at best. So either make of it what you will or wait for a discount. $10 would be more than fair for this game. I give it an A+ for replay value.
It’s quite a mazing to be reviewing a ToeJam & Earl game in 2019 unironically. It took a long time to get this project started and then another four or so years to get it released after the Kickstarter campaign was successfully funded. HumaNature Studios definitely delivered. ToeJam & Earl: Back in the Groove! is exactly what it needed to be. It has a few small bugs but really it’s a perfect recreation of the original game with modern conveniences and improvements added in a non-invasive way. I really can’t speak highly enough of this game. I definitely recommend it for people who like games that are just fun. It’s not too challenging. It’s not too intricate and doesn’t require a huge time commitment. It’s just a fun experience worth having and sharing with other people. And that’s really what ToeJam & Earl was always meant to be.
This past weekend, I finally finished the main story of Nioh. It took me just over 70 hours to complete. I am not finished with the game because there are several post-game missions, an entire new class of items you unlock by finishing the main story, a new game plus mode (which I probably don’t have time to play), and a number of DLC missions, which I do plan on completing. I have to say that this was an excellent game. I have some complaints, which is true for every game I’ve ever played, but overall Nioh was quite the positive gaming experience.
I played both the alpha and beta of the game, but didn’t get around to actually playing it till they had already announced the sequel, which was the main reason I finally got my ass in gear with this one. What I find interesting is that many people I’ve spoken to aren’t fans of Nioh because of their relationship with Dark Souls. I understand but don’t agree with this point of view. First, because the games really are quite different in many respects. And second, because Dark Souls I & II (still haven’t gotten around to III) are no more or less flawed than Nioh. All three of these games, and Bloodborne, all have their own issues which are subjective design choices that some people will like and others will hate, while many won’t care one way or the other. So rather than write a straight review of Nioh, I thought it would be more useful to write a comparison of Nioh to Dark Souls with a focus on some key design choices/differences between the two franchises.
People tend to differentiate Dark Souls from Bloodborne because of the combat pacing/style. Dark Souls is seen as the slower more defense focused game that relies heavily on technique and strategy. While Bloodborne is seen as the faster paced more offense focused game that relies more on real time skill and reaction. Having played both games, I can agree with this assessment on some level. I tend to prefer Dark Souls, which is interesting because I hate blocking in games generally. What I like about Nioh is that it allows the player a lot more differentiation while still keeping it really simple, when it comes to combat. Dark Souls offers you 22 different weapon types with various weapons in each category, but they’re all fairly similar, with the exception of magic. It’s one handed short weapons or two handed great weapons, plus bows for ranged attacks. The combat is focused much more on stats than actual weapon performance other than one handed vs two handed. But you do have a fair amount of control over the pacing of combat between those two differentiations, not to mention you have the option to play with or without a shield. You also have to take weight into account when playing Dark Souls and it has a huge effect on gameplay.
Bloodborne is less varied in specific weapon options with only a single version of each type of weapon, but each of the 15 weapon types is fairly different plus there are 11 different secondary weapons to choose from. You are afforded a lot more variation among the Bloodborne weapons, but the pacing of combat is very similar for all weapon types. Add this to the fact that there are no shields in Bloodborne and weight doesn’t have to be accounted for and you have a very fast paced, but less varied gameplay experience than Dark Souls.
The problem with both Dark Souls and Bloodborne, when it comes to combat, is you have a lot of choices, but few options. Ranged attacks and magic aside, Dark Souls really just comes down to one handed vs two handed weapons, shield or no shield in the case of choosing one handed, and weight class, which affects agility. Bloodborne is similar in making you choose between one handed and two handed combat, but it gives the player the option of using any weapon in either way and allows you to change in real time. But with the lack of weight and similar style the weapons carry, you can pretty much commit to a play style early on and ride it out the whole game. For instance, I used two handed axe for probably 85% of the game.
Nioh takes a much different approach to combat differentiation than either Dark Souls or Bloodborne. While those two franchises approach the issue from the style of traditional action games, Nioh is more similar to a JRPG. Rather than bogging you down with tons of weapon types, there are only six: katana, axe, kusarigama, spear, dual-swords, and tonfa. As well as three ranged types: bow, rifle, hand cannon. Each weapon type is wholly different, but true differentiation comes from the fact that there are countless variations of each type of weapon as well as the ability to manipulate, reforge, and evolve them. The speed and style of combat is contingent on numerous factors. You have to account for weapon type, weapon stance (low, mid, high), armor weight, magic and ninja enhancements, natural weapon enhancements/buffs, learned skills/techniques, and you can forge your own buffs into weapons. All while also considering your character’s build. The thing I really like is that the game forces you to take the time to “master” all six weapon types to get maximum character bonuses. This allowed me to find which type of weapon actually works the best for my style of play. You also get to carry two main weapons and two ranged weapons which can be hot swapped at any time. While it’s easy to settle into a specific weapon type, you are still constantly honing and evolving your use of any weapon type as you learn new techniques, magical enhancements, and acquire different/better versions of a weapon type. Combat is never really mastered, so much as it slows down in its evolution.
The Souls franchise, spanning all the way back to the original Demon’s Souls (2009), takes its name from the fact that the one and only currency available in the game is souls. You use them to level up, buy things, and upgrade gear. This system works because it’s simple. With a single currency to do everything, you don’t have to worry about exchange rates, what resource to focus on accumulating, or how to manage and distribute your rewards. You have one thing for everything all the time. The problem with this system is that when you die, and fail to reclaim your souls, you are royally screwed. You lose your progress towards everything you’re working towards all at the same time. That level up, those upgrades, that new weapon. It’s all gone in one foul swoop. Realizing this, Nioh went a different way.
Nioh has two currencies, amrita and gold. Amrita is the equivalent of souls but it can only be used to level up. Its sole purpose is to make you physically more capable. Gold is used for everything else. Buying items, selling items, upgrading gear, forging new gear, and pretty much everything else is done with gold. It’s the currency of the game. Amrita is simply the currency of your character’s development. In most games, xp is permanent while gold can be lost/stolen. In Nioh, it’s the reverse. Just like with Dark Souls, you can lose your amrita when you die and fail to return to your corpse. But your gold is permanent until you spend it.
What’s nice is that you get both gold and amrita from killing enemies, just at different rates. You can also choose to trade gear for either gold or amrita, depending on what you want. This is why I find this system superior. The player is given a choice in how to prioritize their loot. If you don’t want to level up but want better gear, you can choose to focus on amassing gold. If you want to level up, you focus on amassing amrita. And in the late game this becomes key because leveling up becomes way slower than improving your gear with crafting and upgrades.
There is technically a third currency called glory, which you get from fighting revenants, but it’s not as useful and it’s not required to get through the game. I honestly didn’t use it at all except to buy character transformations, which I’ll address in the appearance section.
One of the main selling points of Demon’s Souls, and by extension Dark Souls, was the multiplayer interactions. This includes co-op, PVP, and communication through hints. I have to say that both games franchises/games get a little right and a lot wrong, but in different ways. The worst part about PVP in Dark Souls is that it’s never by choice for the victim of invasion. You can be playing the game with no interest in fighting or even interacting with other players, soon to reach the next bonfire, only to be invaded and often killed by no fault of your own. One of the worst things in the game(s) is that there are invasion hot spots where you literally can’t progress forward because you can be back to back invaded by the same player who’s already proven to be stronger than you. One of the only ways around this is to play offline, but then you lose the ability to summon help, so it leaves you in a catch 22. Nioh doesn’t have this problem.
There is no invasion in Nioh. You never have to fight against anyone you don’t choose to. If you want a PVP match you have to go into the PVP lobby and create/find a match. That’s how it should be. But the regular game is not devoid of special interactions against other players, or at least a version of them. The revenant system is the bridge that connects PVP and PVE. When you die, you leave a corpse. It has your gear, traits, fighting style, and abilities. When other people play through a level, they can see your corpse and choose to challenge it in a duel. If they can defeat it, they get some gear matching the gear you were wearing when you died in that spot. You don’t actually lose any of your gear. What’s great about this system is you can see the level and class of gear of the corpse before battling it so you can decide which fights are worth your time as well as moderate how difficult these opponents are. This allows you to have the PVP experience and rewards without actually having to be bothered by other people or wait for them to be online in order to get rewards from fighting them. And the revenants are different from each other. They have different gear and use different tactics based on the player they’re derived from. Some use magic, some fight more conservatively, some are terribly easy even when they’re a much higher level. It’s a great system that allows everyone to have the encounters they want without negatively affecting those of other players in the process. And just to spice it up a bit, there are moments in the game where revenants are summoned automatically, similar to the bell ringing maidens in Bloodborne. In key areas there are sages playing a Japanese guitar like instrument. This automatically summons any revenant you get too close to within the vicinity of the music. Once you’ve killed the sage, the automatic summoning ceases. What’s really nice is that once the sages are killed they’re dead for good even after you die and respawn.
Communication between disconnected players is an important part of both Dark Souls and Nioh, but it’s done in completely different ways. In Dark Souls you can leave messages for other players. This is a nice system, but it’s also annoying for everyone involved. As a person leaving a message you have to choose the best spot to leave it so that people will see it. You have to piece together a message with sentence fragments because you aren’t given the ability to just write whatever you want, which is a good thing. Even after all that work people still might not notice or take the time to read your message. And even if they do read your message, if they don’t up-vote it the message will eventually disappear no matter how useful it actually may have been. The person reading the message has to find it, actively read it, interpret the piecemeal language in the context of the current setting, and up-vote it to make sure it doesn’t disappear for other players. Very few people actually want to go through any of this trouble. Not to mention that it’s extremely difficult to leave helpful messages to players that also have to be located in places they will actually see. In reality, the only information players absolutely need in a Soulslike game is how other players died. Missing a chest sucks, but it’s not the end of the world. And if you really want to find all the items, you’ll use an online walkthrough. The only information that will truly affect players is knowing what’s coming to kill them. So Nioh focuses only on conveying information about deaths between players directly. This is also done through the revenant system and it’s way more convenient than the messaging in Dark Souls. When you die and leave a corpse/revenant, players can also see how you died. It’s easy because there aren’t even any commands needed unless you actually want to fight a revenant. Just walking near their corpses instantly tells players how they died, what level they were when they died, and the gear they were carrying. And that’s really all the information you need. Being able to see how other players died gives you a clear hint about what’s coming up to try and kill you so you can be ready.
I would say neither Nioh nor Dark Souls handles coop matchmaking well. Both do certain things well, but both also have fundamental flaws to their systems which make things terribly inconvenient for the player(s). Dark Souls has the more convenient summoning system in that you can at any time drop a sign in any location and other players can summon you. You can summon up to three people, which is really convenient. It’s a nice system because you can be playing the game and farming while waiting to be summoned. The hitch is that you can only summon people when you’re alive, which requires using an item or helping someone else beat a boss. Overall thissystem makes it so you never have to waste any time while waiting to get summoned by other people. Nioh fails in this regard. To play coop as the summoner, you can only summon people from in level shrines, which are the equivalent of bonfires. There are two to four per a stage. There is no alive or dead system in Nioh, which is a good thing, but summoning requires single use items, which you find as loot from killing enemies. You can carry up to 99 of these at a time, which is nice, but they are not easy to find early on in the game. So you have struggle alone early on if you actually want/need summons to move forward. Personally, I think Nioh is easier than Dark Souls and I didn’t summon anyone to beat the main story. This was not the case for Dark Souls I & II or Bloodborne for me. What’s really annoying about the system in Nioh is that you have to do it at a shrine, meaning you have to reset all the enemies you’ve already cleared to summon someone and you can’t summon from the boss door like you can in Dark Souls. But thankfully you can go back to shrines while a summon is active, refilling all yours and their health and items. Being summoned is even more inconvenient in Nioh. You can’t just drop a sign or ring a bell and go on with your day until summoned. You have to go to a menu on the world map and enter a summoning lobby. You then have to wait until you’re summoned to play in a stage. On the flip side, you can set parameters for summons such as which stage you’d liked to be summoned to and difficulty level. But if no one wants to summon then you just sit and wait rather than farming while you’re waiting. And you can be rejected by players once summoned, which might happen for various reasons.
What I find superior about summoning in Nioh compared to both Dark Souls and Bloodborne is that there are no level caps or level scaling. If you are on the first stage as a level 5 and you want to summon a friend who is level 150 and has already beaten the game, you can do that. If you want to bring in a high level player to stomp the boss for you, the game doesn’t scale them down to your level. It lets them play to the full extent of their power and abilities. And that’s how it should be. If you want to earn it, that should be your choice as the player. If you want your friends to help you, then that should be your choice as well. But you can only summon one player in Nioh as opposed to three in Dark Souls.
Dark Souls and Bloodborne are full open world games where you make your way across the land finding bonfires or lanterns along the way, which can then be used as warp points. There isn’t really a right way to go, but you have to figure out where to go to move forward in the story. I find the system inconvenient because you have no real direction. Many people enjoy this style of play because they like feeling in control, but I find it a large waste of my time for games like this. Nioh is broken into missions. There is a world map with clearly defined main missions and sub-missions. Each individual mission is a contained open world that you can freely explore within the confines of, but there is an entrance. The only way out is by completing the mission objective, which is usually but not always to defeat a specific enemy, usually a boss. I prefer this system. The game has the same level of stress as any other Soulslike game while you’re in the thick of it, but you don’t always have to be in the thick of it. There is structure and clearly defined goals. You can skip sub-missions or play them all. You don’t accidentally miss bonus bosses before beating the game. You control everything because it’s all clearly laid out on a world map. This also makes organizing your matchmaking easier, even though the system in general is inferior, because you don’t have to deal with the trying to put your spot down in the right area problem you get in Dark Souls. You can handle all of that from the world map.
Character development at base level is similar between Dark Souls and Nioh. In Dark Souls you have nine stats that can be advanced one at a time in exchange for souls. In Nioh you have eight. These stats improve certain specific features of your character and make them better able to handle certain weapons, armor, skills, and general performance. It’s the same system. But the gear development and aesthetics systems are much more robust and user friendly in Nioh.
Developing weapons in Dark Souls is done by going to a black smith and trading materials and souls to level up a weapon. You can slightly differentiate the development of weapons by using different materials to take new development paths. The weapon’s performance is based solely on stats depending on the development paths you’ve taken with the specific weapon. In Nioh, you don’t level up weapons until the end game/NG+ when you get divine weapons, but that’s not relevant to a first play through. Weapons are split into five categories based on rarity (color in menu) which kind of translates to potential. The same is true for armor in all respects except familiarity, which I’ll explain. You can get the same piece of gear at any of the five rarity types. The rarity level defines how many natural enhancements it has and its maximum familiarity potential. Familiarity is essentially how much the attack stat on any weapon can increase with use. The highest possible familiarity is 999, but this is only available on divine items after beating the final main story missions. During the first playthrough, 900 is the maximum possible familiarity. So your goal is to get purple, the rarest type, rarity gear for all your items because it offers the highest familiarity bonus for weapons and the most natural enhancements on gear. Natural enhancements can be anything. Sometimes it’s more damage against certain enemy types. Sometimes it’s higher amrita (souls) yields. It can be resistance to certain types of damage or increased damage of a certain type. Even lower weight and blacksmith costs can appear as a gear enhancement. So even when you find a rare item with high starting stats, it might not be the enhancements that work best for you. That’s OK in Nioh though because you have the ability to reforge and evolve items. Gear can be broken down and crafted into new things. Gear can be absorbed into other gear to make it stronger, or weaker if you combine something stupid. You can even forge new stats into gear.
In Dark Souls you don’t really have techniques. You have gear of various types and stats. But fighting is focused on the technical aspects of using that gear and applying it to the combat situation you’re in. There are heavy and light attacks and some charge moves, but that about does it for what you can do. Nioh has specialty techniques that you develop with special points in either samurai, ninja, or mage categories. These techniques can be specific combos, buffs, spells, specialty items, and specific moves. Many of them are tied to specific stances within specific weapon types. You can get really technical in this game if you want to and mastering certain techniques can make all the difference.
Nioh has one the best appearance systems I’ve seen in any Soulslike game ever, and it doesn’t even have a character creator. Dark Souls lets you create your character, but you are stuck looking like whatever armor you are wearing, regardless of how bad it looks. It the problem of so many RPGs. Your best stuff doesn’t look cool and your cool stuff doesn’t perform the best. Nioh gets around this by letting you refashion gear. Any piece of gear you find can be skinned over to look like any other piece of gear regardless of what it is. Some gear looks awesome and some gear looks like trash. But with refashioning you just spend a modest amount of gold (modest for the end-game anyway) and you can make that awesome piece of gear look like whatever gear set you like. In my case I use the best mid-weight gear I have but I refashioned it to look like the DLC gold set, because I’m a sucker for shiny gold gear. I have the performance I need to succeed, and I shine while doing it. You can refashion weapons as well. Some weapons look so cool with elaborate designs and paint jobs, while others are boring and devoid of color. But appearance has nothing to do with performance. That’s why the refashioning system is so important.
Nioh may let you customize your gear to look however you want, but you can’t create your own character. You play as William, a British white man with blonde hair. The only customization you have for him is his hair style. But what is nice is that you can get transformations. As mentioned previously, there is a third currency called glory. You can only get this from killing revenants. It can be used to buy special crafting materials, but what it’s most useful for is buying transformations. You have the ability to transform William into any character you meet in the game. That includes villains you face and female characters. You just buy the transformations with glory and you can change your appearance an unlimited number of times to whatever transformations you own. Transformations do not affect gameplay or stats. It’s a nice way to let players look the way they want to in case you get tired of being a blonde white man running around killing monsters in Japan. For instance, I like being a Black Samurai, based on a historical character you duel later in the game.
Both Nioh and Dark Souls have NG+ modes, but what’s nice about Nioh is that it has actual end-game content that takes place within your first playthrough. Defeating the final story stage unlocks several bonus sub-missions as well as more story that connects into the DLC. You also get a new class of items after you complete the final level, which can be used for this end-game content before you start a NG+ run. I will probably never play NG+ but I still have several hours of play to look forward to in Nioh before I put it on the shelf for good. I have never played past beating the final boss in Dark Souls or Bloodborne, because I simply had no reason to and have no interest in replaying the same game.
What’s nice about the NG+ though is that it’s directly connected to your original playthrough. It’s not even called NG+. It’s referred to as “Way of the Strong”. From the world map you can switch between normal play and NG+ play from the same file as often as you like. The NG+ levels are the same stages with higher difficulty and better rewards but you don’t have to have a completely separate playthrough from your original. This is nice because it allows you grind with better yields or in normal difficulty at the same time, taking advantage of either depending on what your goals/needs are. And the DLC content is attached in the same way so you can always jump around to play whatever you want at any time. This is made possible because of the level based structure mentioned previously. So while I don’t see myself finishing NG+, I may very well run a few stages for better gear that I can then use to complete the end-game missions and DLC. It’s the best of all worlds.
I want to be clear in saying that I am not arguing that Nioh is superior to Dark Souls. I am arguing that Nioh is not a clone of Dark Souls. It’s part of the Soulslike genre which started with Demon’s Souls, but it is an original game with considerably different design choices, aesthetic, and gameplay. As with any two franchises or even just individual games, there are both good and bad things about both Nioh and Dark Souls and there’s no reason to ignore one simply because it’s not the other. If you haven’t played Nioh but you do play Dark Souls then I highly encourage you to try it out. Especially with the sequel on the way.
Time for another Gaming Photography Post. Recently I completed Mortal Kombat X on PC.
I have to say that this was a good Mortal Kombat game but I regret buying it for PC. There was content not included in the bundled version of the game on PC that was on console so I lost out because I wasn’t willing to pay extra for fighters like Jason and the Xenomorph. The game ran ok on my GTX 1080 but there were definitely some issues due to the way they ported the game. I actually had to look up how to fix a number of them because this is actually a widespread problem on the PC version that many people struggled with. But all in all it’s a nice looking game with a solid story mode.
So now I’d like to present my top 10 photos from Mortal Kombat X. This is the first AAA game I’ve done a Gaming Photography post for on PC so definitely let me know what you think about the picture quality. As always, I make it a point of only taking natural in game shots. I don’t use photo modes or alter the brightness/color settings except in special situations. I took my photos for this game through Steam‘s screenshot system. I also post them on my Twitter and Instagram often.
I opted to avoid using mostly special attack pics but there are a couple in there.
*If you’d like to see the full resolution image please right click and press “view image”.
Please let me know what you think of my shots. Any feedback is appreciated because I would like to improve my gaming photography skills.
I hadn’t planned on doing multiple Gaming Photography posts in a row but recently I’ve been blowing through games. After finishing Xenoblade Chronicles X I decided I wanted to do some shorter games that I could blow through casually and since then I’ve actually completed multiple games, so rather than get backlogged on photography posts (I plan on doing one every time I finish a game), I decided to just get them out of the way as soon as possible. So this week I’d like to present my top 18 photos for Telltale GamesGame of Thrones Season 1. I decided to do 18 because there’s 6 episodes so that’s a maximum of three photos per an episode.
After recently finishing Game of Thrones Season 7 (TV series), I was not ready to leave Westeros just yet so I opted to finally play the Telltale Games story. For those of you who haven’t played it, the game takes place in the same world as the TV show and follows the canon very closely. It begins with the Red Wedding and covers various key moments in the show such as the death of Joffrey, the trial of Tyrion, and the Boltons’ tyranny of the North. I had a lot of issues with the game as fan of Telltale Games titles, because there were a lot of issues with the way choices worked in the game. You can read all about my opinions on that in a previous blog post that I posted earlier this month. I will say that I also didn’t love the art style but there were some moments that allowed for some great shots, most of which are of landscapes rather than people.
As always, I make it a point of only taking natural in game shots. I don’t use photo modes or alter the brightness/color settings except in special situations. I take my photos through my PC with an Elgato Game Capture HD60 Pro in the case of console games. This was the PS4 version of the game. I also post them on my Twitter and Instagram often.
*If you’d like to see the full resolution image please right click and press “view image”.
Please let me know what you think of my shots. Any feedback is appreciated because I would like to improve my gaming photography skills.