Time for another Gaming Photography Post. Recently I completed Uncharted 4 on PS4.
This was without a doubt the best conclusion I’ve seen for any franchise ever. If you’ve been playing the Uncharted series since the first one but haven’t played 4, you’re missing out. I can’t believe I waited this long to play it. It was narrative genius. Possibly the best work Naughty Dog has ever done. And yes I realize they made The Last of Us. I stand by my statement. The gameplay was of course great as it’s always been. And they even added a few new mechanics which I really liked. But the story was just top notch. It was everything I wanted in a Nathan Drake conclusion.
I took literally 1,856 photos while playing this game. For the first time I did use the photo mode and I used the shit out of the filters, effects, and frames. I couldn’t stop myself. It’s just such a beautiful game and the photo mode lets you create shots that you just otherwise couldn’t do.
So now I’d like to present my top 20 photos from Uncharted 4. I know I usually do just 10 but I just have too many to choose from to limit it to such a small number. I also post gaming photos on my Twitter and Instagram often.
*If you’d like to see the full resolution image please right click and press “view image”.
Please let me know what you think of my shots. Any feedback is appreciated because I would like to improve my gaming photography skills.
I hadn’t planned on doing multiple Gaming Photography posts in a row but recently I’ve been blowing through games. After finishing Xenoblade Chronicles X I decided I wanted to do some shorter games that I could blow through casually and since then I’ve actually completed multiple games, so rather than get backlogged on photography posts (I plan on doing one every time I finish a game), I decided to just get them out of the way as soon as possible. So this week I’d like to present my top 18 photos for Telltale GamesGame of Thrones Season 1. I decided to do 18 because there’s 6 episodes so that’s a maximum of three photos per an episode.
After recently finishing Game of Thrones Season 7 (TV series), I was not ready to leave Westeros just yet so I opted to finally play the Telltale Games story. For those of you who haven’t played it, the game takes place in the same world as the TV show and follows the canon very closely. It begins with the Red Wedding and covers various key moments in the show such as the death of Joffrey, the trial of Tyrion, and the Boltons’ tyranny of the North. I had a lot of issues with the game as fan of Telltale Games titles, because there were a lot of issues with the way choices worked in the game. You can read all about my opinions on that in a previous blog post that I posted earlier this month. I will say that I also didn’t love the art style but there were some moments that allowed for some great shots, most of which are of landscapes rather than people.
As always, I make it a point of only taking natural in game shots. I don’t use photo modes or alter the brightness/color settings except in special situations. I take my photos through my PC with an Elgato Game Capture HD60 Pro in the case of console games. This was the PS4 version of the game. I also post them on my Twitter and Instagram often.
*If you’d like to see the full resolution image please right click and press “view image”.
Please let me know what you think of my shots. Any feedback is appreciated because I would like to improve my gaming photography skills.
If you’ve been reading my blog for a long time then you know that I’m a huge God of War fan. At one point it would have been accurate to even call me a fanboy because I thought Santa Monica Studio could do no wrong with this franchise. That ended with God of War: Ascension. It was a game that didn’t need to be made, didn’t do anything particularly new or impressive, and cheated me on the season pass. Even though they promised future DLC they actually released no additional single player content and all the additional multiplayer content was released for free. That means I paid for a season pass that literally got me nothing, except some PSN avatars and a dynamic theme. Since then I have not ceased to be a fan of the franchise, but I’m also no longer a diehard fanboy. I now judge the series from a much more objective standpoint and have often been very critical of more recent decisions. A good example of this is that I have been avidly opposed to the upcoming God of War IV pretty much since the announcement.
I was highly against the idea of God of War IV not because I want the franchise to end. Quite the opposite actually. It’s one of my favorite franchises of all time. I still remember the first time I beat the hydra in the very first game. My uncle was watching and we were both blown away. This was in many ways the moment where I decided I wanted to work in the gaming industry. I wanted to be involved in something that would blow people away like that. The reality is that I want(ed) to see many more games in the franchise but I don’t think they need to make any more starring Kratos. In my opinion, God of War III ended perfectly. We were led to believe that Kratos killed himself and that his story was over. Now it’s fine that he’s still alive in this upcoming installment because it’s canon that Kratos never stays dead for long. He died in both God of War I and II only to come back and whoop some more ass. But his story concluded perfectly at the end of III. I really see no reason why they felt the need to continue his story. I felt the same way with how they handled Ascension. It was a pointless game that just milked Kratos because he’s marketable. What I wanted was for a new character to be introduced that would take on a similar plot to destroy the gods of his culture that had nothing to do with Kratos or Hellenic beliefs. At most a Kratos Easter egg is all I would have wanted. But instead they chose to once again focus on Kratos but now he’s in the Norse world.
Let me be very clear and say that there is nothing wrong with setting a God of War game in Norse mythology. That’s one of the best cultures to do a God of War series of games in. But making Kratos the star takes so much away from the overall plot. What I like about God of War is that the franchise is not just mindless hack-n-slash battles and large breasted sex mini-games, though both of those things do add a lot to the experience. While some people won’t agree, I actually think the God of War franchise has a great story with a great main protagonist. Kratos is a man plagued by the fact that he was tricked into murdering his wife and daughter and then later his mother as well. His whole life is just one big shit show that was orchestrated by the gods. This motivation makes for a great adventure where a man takes his destiny into his own hands and literally kills all the gods, except Aphrodite, in vengeance. The story is powerful, visceral, cathartic, and most importantly, memorable. But one of the main reasons the story works so well is that Kratos is part of it on a cultural level. He’s not some visitor from another land like William in Nioh. And he’s not some random faceless, emotionless NPC turned playable character like the Dovahkiin in Skyrim. He’s actively a part of Greek culture and starts out as a true believer, actively serving the gods to make penance for his crimes. This is such an important part of the story.
Placing Kratos in Norse mythology makes no sense. There’s no real justification for it and he has no real connection to the culture and gods of that world. He’s just a stranger mindlessly toppling a religion like a conquering Spaniard taking over South America. It’s not personal to him. I think that’s the main reason they gave him a son in this game.
I am so avidly opposed to the Dad of War concept. In fact, I even wrote an article about it on Gaming Rebellion. There are a number of reasons I don’t like it. Again, remember that this entire line of thinking follows my original opinion that Kratos should not be the main protagonist of any more games. The trailer makes Kratos seem like this caring father to a less than impressive son. If you’ve played all the other games then you too found his lack of a bad temper, patience, and calm demeanor to be very uncharacteristic of Kratos. His son literally shoots him at one point in the middle of a battle and Kratos pretty much shrugs it off. I’m sorry, but that’s just not Kratos.
Mechanically speaking, the concept doesn’t really fit a God of War game. Obviously having not played it yet, I can’t say for sure, but I imagine the game will have some similarities to Enslaved: Odyssey to the West. You’ll be responsible for protecting and commanding this boy. While this will be a new addition to the gameplay, which can be a good thing for longstanding franchises, it will most likely slow the game’s combat down noticeably. God of War is traditionally fast paced combat. To destroy that general concept essentially ruins Kratos’ legacy. This could have been easily avoided as a problem if they would have just changed main characters so we had no long established expectations of him as a main protagonist. But again, I think the lack of connection and thus emotion in reference to the Norse mythology from Kratos is the main reason they decided to add in a child. It automatically gives Kratos some emotional baggage to connect with the story. That’s a lazy trick, but I understand it. My only real question is why did they choose a son instead of a daughter?
Let me preface this part of the article by saying that this is not about to turn into an SJW argument about why female characters should be portrayed more in games. Not at all. The fact is that I genuinely believe that it would have suited this already questionable story better to have made the next God of War game to be about Kratos and his daughter instead of a son. There’s a logical, canon based reason for this opinion.
One of Kratos’ darkest moments and emotions comes from the fact that he murdered his own daughter, Calliope. And the theme of fathering a daughter comes up all throughout the franchise. It’s especially important in Chains of Olympus, III, and Ascension. And in all these instances Kratos never truly succeeds at saving his daughter, surrogate or actual. This is exactly why I think he should have a daughter in IV instead of a son.
The new story shouldn’t be about him trying to raise a boy who already seems to be weak and useless. It should be about him raising a daughter and gaining redemption for the daughter he lost. But this time he doesn’t just try to protect her. He raises her to protect herself. Suddenly his new found patience and affection would make perfect sense. And it would keep the tension extremely high because you would constantly be expecting something terrible to happen to the daughter, like so many times before. Also Nordic culture happens to be one of the only cultures American males, the main market for the franchise, are familiar with having female warriors so it wouldn’t even be out of place for Kratos to have a girl fighting alongside him. On all counts this just seems like a sorely missed opportunity that would have helped so much with continuity between the Greek games and this new series of Norse ones. I really don’t see how they missed this. I already don’t like the boy and much of the reason for that is because he displays characteristics that would make way more sense coming from a daughter of Kratos.
I’m certainly gonna buy God of War IV, but this will be the first main console title in the franchise that I don’t buy at release. This was an opportunity to tell a powerful story that would have altered the Kratos mythos noticeably without coming off as odd for the character. Instead we’re stuck with this daddy day care scenario where his whiny, useless son just gets in the way and cries about killing deer. I expect better from Santa Monica Studio.
If you’ve been reading my blog for a long time then you know that I am no fan of E3. But really that’s a half truth. I’m actually a huge fan of E3 as an idea. I just genuinely hate the modern E3 model. I grew up in the 90s. The first E3 was in 1995. America Online, which I would consider the start of the commonly used internet we have today, started in 1991. I remember a time before the internet. I remember a life before we had it and then after. I remember the shitty dial up connection and the scratchy noises. This is important to this discussion because there was a time when E3 existed, but it wasn’t the over hyped, social media/YouTube driven fanboy party it is today. For me E3 is outdated, but sadly it’s only outdated because of the way E3 is now handled. It’s much different from the way it was in what I consider the golden age of E3.
When I was a kid there were no gamers like me today who genuinely don’t care for E3. That was unheard of. The reason was because it truly was a necessary thing. It was a time when all gaming news was distributed to normal gamers who didn’t work in the industry, via either print media or word of mouth. There were no Reddit leaks. There were no YouTube trailers. Twitch streamers weren’t getting their asses kissed by publishers for a mention. There were no developers tweeting out tidbits about their games. IGN wasn’t a big thing yet that you just automatically went to. I don’t even know what actually happened at E3 back in those days. All I ever knew about E3 was what I read about in the magazines like Nintendo Power and Electronic Gaming Monthly. And I wasn’t a special case. That was everybody.
E3 was a moment during the year where you literally got gaming news for the year. And when I say news I mean “new”. You didn’t know about it before E3 unless you had some unheard of connections or worked in the industry. There was never a time where someone would say “I knew about that way before E3”. Because you couldn’t. It wasn’t really possible for normal people. Especially for minors. That’s the E3 I grew up with and that’s why I don’t like E3 today.
My three biggest issues with modern E3 are it’s a waste of time, it’s a waste of money, and the bulk of the content shown is no longer news. If anything it should be called “olds”.
E3 is a waste of time in a world where the internet is as big, powerful, and widely used as it is today. In a time where people couldn’t quickly pull up live streams, videos, and articles on their phones while riding the bus to work/school, it made perfect sense to put on a huge event once a year to distribute a year’s worth of gaming news. That was the most affordable and efficient way to get the word out to the largest number of people. But today that’s not at all the case. EA can tweet out a video of a trailer with gameplay footage, a release date, and the name of the development studio and there’s a good chance more people will see it or a reference to it than actually watched the EA presentation live. That’s just the nature of social media. And if they had that tweet sent out by the right account the reach could be way more effective than any official E3 account.
The official E3 Twitter account has 1.87M followers. The official EA Twitter account has 4.91M followers. The official Justin Bieber Twitter account has 96.4M followers. He has publicly stated that he’s a Call of Duty: Black Ops fan among other games. If the name of the game is hype, reach, and ultimately sales, wouldn’t it make a lot more sense just to get someone like Justin Bieber to help promote or even just tweet about a game than take the time to set up a huge, inefficient press conference that most people won’t even get to see live because of time zone differences and region locked content? I’m not personally saying I’ll be following Justin Bieber anytime soon, but clearly E3 isn’t the sensible way to try to promote games in 2017. There’s just no need for it when you have the internets.
E3 is a huge waste of money. Most trade shows not open to the public are. I may not have been to E3 but I have been to and worked at a number of trade shows such as just recently Computex 2017 in Taipei. These events are sinks for companies. They waste time, money, labor, energy, and basically every other resource a company has for a very limited number of overall sales because of it. Really the same amount of attention for any company could be obtained by sending out some PR samples to the right members of the press and/or fake press like YouTubers for a fraction of the cost. These shows really only benefit the press because they get extra traffic and excuses to travel and party while other people are doing actual work hosting those tradeshows. The consumers and the companies get very little out of it in the grand scheme of things. They’re done more for tradition than anything else. They’re also admittedly fun at certain times. But that’s not enough of a reason to spend millions of dollars collectively to have them.
One of the biggest problems right now in game development is inflated budgets. The cost to actually make a game is often a drop in the bucket compared to what publishers are now spending to promote them. E3 is a part of that. Extravagant stage shows with paid influencers and preposterous props all cost lots of money. Don’t think for a second that those costs don’t ultimately come out of your wallet as a consumer. The increasing use of and increased pricing of paid DLC and season passes is all done as a way to pay for this useless marketing that isn’t even necessary most of the time. Especially when we’re talking about games that don’t even really need any serious marketing.
When it comes to marketing there are only four types of games: new IPs, long standing guaranteed successful IPs, indies, and bad games. New IPs require a lot of marketing because there are so many games coming out all the time now that the only way for a new IP to make a profit is to stand out from the rest of the crowd. In that situation, ballooned marketing budgets may ultimately suck for everyone but they’re necessary.
Long standing guaranteed successful IPs don’t need any serious marketing. There are very few new customers when it comes to old IPs. 10+ year old franchises do not rely on new markets to turn a profit. They rely on repeat business and everyone knows that. The people who bought Madden, COD, and FIFA last year will buy Madden, COD, and FIFA this year. The people who bought God of War I, II, III, Ascension, Ghost of Sparta, and Chains of Olympus will buy Dad of War IV. That’s just the way things work. I am not at all excited about this new GOW and I was genuinely unhappy about the announcement when they made it last year. But you can be damn sure that I’ll end up buying it because I’ve been playing them since 2005. No one just tosses away a plot they’ve been actively following for 12 years. People just aren’t like that. I’d be willing to bet a larger percentage of married couples will get divorced this year than people who bought COD last year won’t buy it this year. That may be dark, but tell me it’s not true. These sorts of franchises have guaranteed profits. That’s why Ubisoft keeps making Assassin’s Creed games. Because we’re stupid and keep buying them. Because we’ve been buying them since 2007. We can’t help ourselves. And we always say we’re gonna quit every year. Yet when the next title roles around we’ll ultimately end up buying it. Maybe not on release day, but come Black Friday we all end up running back to bad habits. Thus is the nature of gamers. So there’s no reason for Sony Santa Monica Studios to pay to put up a giant God of War IV sign in the middle of LA. That’s a waste of money.
Indies need marketing. I’ve reviewed tons of indie games and I’ve spoken to countless indie developers. The number one problem most of them face is attention. Getting people to learn about their game is the hardest part of the process for most of them. It’s the reason they’re much more willing to give out review copies. It’s the reason they sell their games for cents on the dollar compared to AAA titles. They would charge $60 if they could. Just look at No Man’s Sky. They had that Sony marketing so they charged full price. And people paid it. Marketing is everything when nobody’s heard of you. That’s why it makes perfect sense for XBOX to get behind titles like Cuphead and push them heavily. Otherwise even if people would probably want to try it, they most likely wouldn’t ever hear about to make the decision to try it. Indies and new IPs are the only games that genuinely should be shown at E3 for sensible business reasons.
Finally we have bad games. The funny thing about bad games is that they can still make tons of money. I won’t cite any specific ones so as not to offend, but I’m sure we can all think of at least one game in the last five years that we’ve purchased that was objectively bad and a complete waste of our hard earned money. Some of them have already been mentioned in this post. These are an example of why companies throw so much into marketing. With the right packaging and hype, even a pile of crap can look like gold. But that’s the worst way to make and sell games. Publishers and developers should just work on making high quality games with less releases than throwing away millions into selling turds. The reality is that if marketing was done more realistically, the cost of releasing games overall would shrink considerably without profits, of deserving games, dipping by a noticeable amount.
My biggest peeve about E3 is rightfully the lack of actual news. As I said before, when I was a kid everything shown at E3 was news to me. There were no moments where they were talking about stuff I’d already known about. There weren’t lists of remakes, DLC, and games that had already been shown multiple years past. Everything at E3 really was gaming news. Today many people joke about the fact that E3 is mostly not news. And that’s sad. Only further proving that E3 has become a redundant and obsolete tradition.
I did not watch the conferences this year, nor did I last year. But I always check the highlights later. Just looking at the Kotaku round-up is pretty depressing for me. Without taking the time to do any research about what has already been shown before this E3, let me just list off the games I didn’t already know about or absolutely expect that were shown during this year’s farce of an expo. I’ll only do home consoles and PC because I don’t really track handhelds so it’s mostly news to me at any time. I’ll only be considering titles shown during the presentations that actually got more than just sizzle reel time because there are lots of indies that most of us won’t remember or know about even after they finally get released that will be on the floor at E3. No, I won’t be including remasters or rereleases because why would I? I will not even dignify DLC announcements by as being a legitimate part of E3 reveals.
Another Pokemon Game but for Switch (You can’t truly be surprised when you’ve been demanding something for literally a decade)
Metroid Prime 4
Yoshi Switch (Yay!)
Sorry I didn’t include Devolver Digital’s list, but I can’t seem to find a single semi-reputable source that actually lists off what they showed this year. Instead every gaming journalism firm is just talking about how crazy their presentation was. The honest truth is that I’m still personally trying to find out exactly what they showed without having to actually sit through their presentation or read through a dramatic piece about the art of making E3 presentations. I just want to know about the games, because that’s what E3 is actually supposed to be about.
Of the about 60 notable titles that were shown at E3, give or take what does and doesn’t technically count (Didn’t count Horizon this year as an example), I was only unaware of or not fully expecting announcements for 28 of them. That’s less than 50% of the total games presented. Of those 28, only 15 are new IPs and could actually justify the marketing need for being presented during E3 stage shows. Of those 15 new IPs only 10 aren’t VR trash and should actually be taken seriously. That literally means that this entire farce of an event was done to show me, and I am not nearly as up on my gaming news as many other people, a measly 10 games. That’s not news and it’s certainly not worth throwing an entire trade show over. That could have easily been announced at many of the various other events throughout the year that Nintendo, Sony, and Microsoft already host on their own. This entire expo is laughable when you look at the numbers realistically. The gamers don’t win. This is all just a pointless hype train which isn’t even that effective by Twitter standards.
I commend Nintendo for doing Nintendo Directs for E3 now. It’s smart, more cost effective, and is another example of Nintendo actively choosing not to play by the status quo of the gaming industry. And I think it’s hilarious that E3 doesn’t even complain about it. They very well could have told Nintendo to screw off when they said they weren’t doing a real stage show the first time a few years back. They could have stood their ground and held another presentation during the same time frame. Instead they play the video on the big screen for Nintendo and probably don’t even charge them to do it.
I like the idea of E3. I believe that it’s important for there to be a special time of year where gamers can come together and celebrate gaming by looking forward to the next year of great adventures to be had. But modern E3 is not that. This tradeshow is a big waste of time and money. It gives very little actual news and has gotten bogged down with titles that were announced years prior, DLC announcements, and remakes. Or games that won’t even be out before the next E3. As long as this trend continues, I will continue to not waste my time watching E3.